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Outstanding debut novel

30/12/2015

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Not Our Problem
by Ian Cowan


As a radiologist, Dr Ian Cowan probably does not wield a scalpel in his everyday work, but he has certainly done so in his outstanding debut novel Not Our Problem. The title is the first stroke of the scalpel, for it encapsulates precisely the dismissive, careless and reckless approach to problems created by the most self-centred of administrators for the most ignoble of reasons – saving a buck.
   The background to Cowan’s story is the late eighties and early nineties, a time that vies with Cromwell’s Commonwealth for the title of ‘The world turned upside down’. In little more than a decade, New Zealand turned its back on a century of social progress based and founded upon that concept of fairness so dear to immigrant societies to become a land in which people mattered much less than profit. This occurred through the willingness, first of the Fourth Labour Government and then the gleeful connivance of the next and National administration in embracing the unrestrained Friedmanite free-market theories aimed at saving money that emerged from Thatcherite Britain and Reaganite America to become New Zealand’s ‘Rogernomics’.
    Cowan’s hero, Dr Stephen Cassidy, is introduced as a surgical registrar driven by his marked professionalism to doubt his readiness to complete his journey to consultancy. At his lowest, physically and mentally, he seizes the chance of becoming involved in the heralded restructuring to which the NZ health system is about to be exposed and temporarily shelves his surgical career to become a liaison officer between ‘change managers’ (none of whom, by design and intent, know anything about health or medicine) and the clinicians of the fictitious Paxton Hospital.
    Beginning from an acceptance that the ‘old’ system did in fact contain an amount of waste that was probably remediable, “I think I could make a real difference to these stupid mismanagement things…”, Cassidy fails to grasp the root-and-branch determination of the free-marketers that nihilism and not adaptation is the desired aim, and the book is dedicated to his journey through progressive stages of disillusionment set against the growing despair of his fellow clinicians. 
     During the journey he comes to hear patients classified as Revenue-gathering units or RGUs, and Revenue-losing units or RLUs, and Cowan cleverly captures the jargon of outcomes-focused management to etch his Friedmanite characters in all their unlovable glory, viz the “…downward flexibility in workforce numbers…” that euphemises cuts in nursing staff; the question asked of Cassidy “Does our scenario resonate with your agenda?” and perhaps the finest of all, “Steve, helicopter above your micro issues and see the bigger picture. Once we get the ducks in a row it’s going to be sensational…” which quite overlooks the fact that the main reason for getting ducks in a row is their easier slaughter.
     As witnessed in the educational restructuring taking place at the same time in real-life New Zealand, however, the free-marketers never grasp the distinction between business and the social services, nor that the only way money can be saved with regard to the latter is to slow down its expenditure. When the difficulties overlooked in the initial free-market fanaticism become apparent, many of the apostles of change decide to do so elsewhere, bailing out to leave behind only chaos and mistrust for the free-marketers.
    Cowan is at his most biting here, and properly so, for this reviewer underwent the same experience with the proponents of ‘market forces’ as they applied to education in the same period, so Cowan’s scenario certainly “…resonates with (my) agenda…” to bring back the doubt, uncertainty and lack of trust in leadership that turned so easily to despair in those days of knowing that the master-plan, if there was one, was seriously flawed.
   Ian Cowan’s book is 267 pages of incisive social comment reminding us that we neglect at our peril the context of our daily concerns, and even evokes Edmund Burke’s aphorism that “In order for evil to flourish, all that is required is for good men to do nothing." References are carefully selected and very well laid-out to provide a convenient path through the story of those times that the author has recounted so very well.
     As noted above, this is an outstanding debut novel.

Review by M J Burr
MA; MEd Admin.
Title: Not Our Problem         
Author: Ian Cowan    
Publisher: Mary Egan Publishing
ISBN: 978-0-473-32696-8
Available: bookshops;
www.iancowan.nz
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Lives of trainee nursesĀ 

24/12/2015

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Nurses in Training
by Chris Davies Curtis


Having been given the pleasure of reviewing Chris Davies-Curtis' first four biographical books about living on Sark after training as a nurse, I eagerly looked forward to reading this romantic novel.
    It follows the lives and loves of three young girls thrown together as they start their training to become English Registered Nurses. All have different backgrounds, and as the story unfolds it gives us glimpses into their hopes wishes and dreams.
   There is Tina and Sally, both English, one upper class and the other middle class, and Hine, a young Maori girl from New Zealand. All have work, study and romantic interests in common, and the trials and tribulations they meet combine to make a light and readable story.
   Being set in the 1950s, it brings to light attitudes of the times. What struck me most strongly is the use of the words "illegitimate child" in relation to a baby born to Hine the New Zealand girl. This was the term used at that time – thankfully such a stigma has since been removed by change of law.
   The book ends with one of the newly graduated nurses marrying the handsome Doctor and the other two looking forward to the future, and a plan to travel overseas.
   There is a promise at the end of more to come in the lives and loves of these girls who, over the previous three years, have formed a bond of friendship that will be lasting.
   Nurses in Training is a light-hearted read that gives good descriptions of the lives of trainee nurses in the 1950s.
   [Note:  reviews of this Author’s earlier books, referred to above, can be seen in FlaxFlower archives – August 2014, and November 2014.]

Review by Merilyn Mary
Title: Nurses in Training
Author: Chris Davies Curtis
Publisher: Chris Curtis books  
Available: Paperback: NZ Libraries, Paper Plus Orewa, Wheelers books.
E-book: Amazon for Kindle
 
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A kaleidoscope of emotions

20/12/2015

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Apple Tea and Camel Pee

by Linley Jones


This all-encompassing collection of short stories is a tribute to Linley Jones’s sharp and thoughtful observation of people and situations that she has encountered here in New Zealand and further afield in Australia and Turkey. The 20 stories embrace the many aspects of life’s relationships: those that strengthen and nurture and those that weaken, those that bring joy and comfort, and those that mean sorrow and anger. We read of high hopes and hopes dashed, of bonds that are ever-lasting and ties that are better severed.
   The stories are all very readable but at the same time some of them are soberly thought provoking. The collection is collated in such a way that after several particularly sombre stories a wickedly amusing one lifts our spirits again. In that respect the book’s title, Apple Tea and Camel Pee, pairing two so apparently contrasting liquids, is very aptly chosen since the stories are alternately refreshingly ‘rosy’ – delightfully naughty even – and disturbingly repugnant, yet even the sadder or more moving tales have their well-deserved place here. In the same way, in the story “Apple Tea and Camel Pee” the story’s title aptly sums up the kind-nurse-indifferent-nurse scenario.
    It is difficult to read these stories and not recognise someone we know, or ourselves, or something we have experienced in them. On a light note, I thought I recognised Anna in “Henry’s Ashes” and myself in Moira in “Never Underestimate the Power of an Inanimate Object”. On the other hand, the ageism of “Apple Tea and Camel Pee”, the staffroom indifference and playground bullying in “Reading between the Lines” and “Shame” are three of the more haunting tales in the collection. Surprisingly, although the first story, “A Study of Insects”, is set on the desolate Denniston Plateau, its outcome is far from tragic. Maureen is only the first of many enterprising women and men who feature in Apple Tea and Camel Pee.
    Turkey runs as a unifying thread through the book, hence not only its title but also the lush carpet on its cover. My only criticism of the cover is that the dark grey writing on the back cover is quite hard to read against the deep red of the carpet pile.
   Linley Jones opens Apple Tea and Camel Pee with an introduction to the art of short story writing and cleverly ends it with the youthful and satisfying story “That Critical First Line”.
    Apple Tea and Camel Pee is a kaleidoscopic journey through love, conflict, respect, betrayal, hope and death, and Jones closes it tidily with brief notes on the inspiration for each story and the awards her stories have won. The stories are so skilfully written that if asked, I would find it impossible to choose a favourite.

Review by Carolyn McKenzie
Title: Apple Tea and Camel Pee
Author: Linley Jones
Publisher: AM Publishing NZ
ISBN: 978-0-9941135-6-6
Available: Unity Books, The Women’s Book shop, Readaway Howick, Wheelers, Allbooks,
[email protected]
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Stories for Christmas season

17/12/2015

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’Tis the Month Before Christmas, The TRUE Story of Santa
by Patricia Chapman
Illustrated by Richard Hoit


This review might appear a little late for children to enjoy this book in the way it is intended, but it could still be in time to enhance the festive season.
   ’Tis the Month Before Christmas is a beautifully produced book of 112 pages, high quality paper, with full-colour illustrations on every page. In fact, the pictures are the main appeal of the book and add so much to the text.
   The stories, designed to be read one per day in the month leading up to Christmas, are simply told in plain prose. Together they suggest the origin of many traditions related to the festive season. For instance: the giving of gifts, kissing under the mistletoe, the yule log, writing letters to Santa Claus, Christmas stockings, and more; yet they wisely avoid making too much of the connections.
   Apparently intended for the European market, the stories bear no resemblance to a Kiwi Xmas, but perhaps some readers here with a background in northern traditions may like to give their nostalgia a tickle. But New Zealand does get a mention – watch for it.
   With 31 days to cover it’s a hard ask to keep up the quality and interest, so it’s no surprise that a few feel of lesser consequence. All the same, the book might help to answer some of those tricky questions children ask at this time of year – how Santa knows what each child wants, how such a huge amount of toys is produced at somewhere as apparently inhospitable as the North Pole, and how Santa’s sack manages to hold all the presents for children everywhere.
   Best of all, the stories show Santa and Mrs Claus as real people; they even have first names. Many mums will appreciate that Mrs Claus is as much a part of the Christmas business as is her husband, with a full role in the organization.
   ​This is a book that should be read to children. After each, they’re bound to want to spend time looking at the pictures, which are delightful.

Review by Emily R
Title: ’Tis the Month Before Christmas, The TRUE Story of Santa
Author: Patricia Chapman.  Illustrator: Richard Hoit
Publisher: Upstart Press
ISBN: 978-1-927262-34-4
Available: Bookshops

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Fully engaged in the tale

12/12/2015

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Athene’s Prophecy
Book 1 of trilogy: Gaius Claudius Scaevola

by Ian J Miller


Ian J Miller has a creditable base on which his works sit comfortably – BSc (Hons 1), PhD, a hundred scientific papers, a “life-long fascination with theories in physical sciences”.
  The first section of Athene’s Prophecy will appeal greatly to those interested in the discussion of philosophies of the ancient Greeks, or in the military strategies of the ancient Roman armies.
  Athene’s Prophecy, delivered to young Gaius, sets the plot for all three books of the trilogy. Gaius is sent for training and education to prepare him for a military position. Eventually he sees the mechanical toy Athene had foreseen, and determines to find a practical development for it. He is challenged to think and analyse, and military gaming develops his preparedness for the expected position – which he finally gains.
    The pace really picks up, and Gaius proves he is more than capable of a leading military role, while coming up against more of Athene’s predictions. 
    I found I was fully engaged in the tale, and wish I'd been able to instantly pick up at book 2 as books two and three will be veering off into science fiction and the futuristic worlds, with aliens taking Gaius with them. A more intriguing mix of historic and science fiction I cannot imagine.

Review by Lynne McAnulty-STREET
​Title:  Athene's Prophecy (Gaius Claudius Scaevola trilogy Book 1) 
Author: Ian J Miller
Publisher:  Ian J Miller  
Kindle Edition ASIN: B00GYL4HGW
Available: as ebook from Amazon
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Vivacity and vitality

8/12/2015

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Atonement
by Vaughan Rapatahana


I pride myself on an extensive (and inventive) vocabulary, but I did end up with a list of words to check up on after reading Vaughan Rapatahana’s collection of poems, Atonement: fuliginous, mephitic, spathe, spadix, adumbral, aporia, flocculent, aleatory, duende…
  And me a 100 percenter on the Reader’s Digest Word Power challenges!
   Rapatahana uses these words at risk of dying as if he keeps them in a shaker on his desk to season every poem, every page. Sometimes it works; sometimes not. The unfamiliar can be a stumble-stone, a shut door rather than an invitation.
   Another mannerism of his is to play around with how the words are laid down on the page – double spacing of characters, up and down verticals of lines, slants and displacements. Again, sometimes I got this straight away and it was added value, and now and then it was a visual irritant.
    Readability is not only in choice of words and style of expression, it is also in how the text is set out.
    Don’t get me wrong; this is a personal opinion only, and in spite of such momentary distractions, I still enjoyed most of the poems for their vivacity and vitality – and the compelling veracity that Rapatahana brings to his work.
    I also liked his underlying sense of fun – that he seems to relish the act of writing a poem as the chance to create definitions for what is observed and imagined; definitions often at odds with what a majority might regard as societal norms.
     When he is descriptive he takes you with him – as in kwai shing:

           a sardine tin
           of hard-bitten turrets
           warped
           into
           submission

           a laminate
           still-life,
           a monochrome whisper:
           van gogh
           stayed
               well  away  from
   
    I liked Vaughan Rapatahana’s casual sprinkle of Māori and Chinese phrases. I liked the sense he gives of tussling with his thoughts, his observations.
   Though I found something of interest in all, the poems that fully engaged me were it’s 3 a.m. in papatoetoe, betrayal, a forced reunion – resonant with tragedy; he urupa mate, eye love and so winter, with
           its ramshackle
           rattle of
           scatterbrain rain
              &
               misanthropic mist

    I liked also how the poems are occasionally interrupted and energised by the excellent artwork of Pauline Canlas Wu, his daughter.
   And I suspect as I re-read Rapatahana again (and he frequently pops up in literary journals these days) I will come to understand more fully his quest for something new and earnest. Something we’d all be better to go looking for ourselves.

Review by Jenny Argante
Title: Atonement
Author: Vaughan Rapatahana
Publisher: ASM/Flying Islands (Macao) and MCCM Creations (Hong Kong)
ISBN: 978-988-13115-1-1
Available: Hard copy book from www.amazon.com or from MCCM Creations (Hong Kong)

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Collection strong on heart

2/12/2015

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Sunset at the Estuary
Edited by D. Alexander and J. Rosier-Jones


   ​This is a collection of writing that serves many purposes. First and foremost it is a tribute to the late Dianne Beatson, but also Peter Beatson, together generous supporters of the arts over many years. Fittingly, it is a book that presents and celebrates artists and arts – mainly writing, but also photography and fine arts.
   The estuary of the title is that at Foxton Beach, Manawatu, overlooking which stands a house owned by the couple, that has for many years been a place where writers can come and write. For the past 14 years it has hosted the winner of the NZSA Beatson Fellowship, and also provided a venue for other writers and events.
   As well as being a tribute to Dianne and Peter Beatson, the volume also serves as a history of the Fellowship to date, and it presents some writings that might not be available in print otherwise.
   To this reader, the prose pieces are more satisfying. Authors Chris Else and Mandy Hager, contribute extracts from novels they worked on while in residence. Sue McCauley gives a sad tale of both a novel and a lamb that didn’t make it through her stay. More like these would be welcome and strengthen the collection.
   There’s an emphasis on poetry, and the verses contain many good lines, though overall they don’t prove so satisfying in their entirety. The subjects are heavy on the location – the estuary and the birdlife in the area. There’s nothing wrong with that when taken individually, but together they so dominate the selection this reader felt more variety would be welcome.
   Other writers take the opportunity to simply express their memories of the place and their hosts – particularly those of Dianne, whose graciousness is attested to by them all.
   Placed after the written contributions, Peter Beatson’s 23 pages of explanation of the art pieces collected by the couple, is interesting and adds a further dimension to the overall appreciation of the arts in the area.
   The emotions portrayed within the memories – respect, gratitude, love, loss – make this a collection that is full of heart. And charity, as the proceeds of sales goes to the Cancer Society. 
   In view of this, should a reviewer point to areas where the result could have been better? This is a volume of writing by writers, about writers, produced by writers. So, yes. In that case, the whole would be improved by more attention to publishing details. As it is, the book has a curious amateurish look. The formatting and the layout are erratic, and more skill applied here would improve the whole. The tributes are placed in alphabetical order of authors. Though it is an easy way of deciding on the ordering, it would be more effective if thought were put into placing them so they complemented each other more.
   But those quibbles may not affect how such a collection will be judged by most readers. Thirty-two authors and five photographers have contributed their skills to produce this work, and Sunset at the Estuary is a fitting tribute to someone so obviously loved and respected.

Review by J.M.
Title: Sunset at the Estuary
Editors: D. Alexander, J. Rosier-Jones
Publisher: Rangitawa Publishing
ISBN: 978-0-99412-012-0
Available: Rangitawa Publishing, [email protected], www.rangitawapublishing.com, Ph. 063288790.  Price: $30.

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