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Stories ideal length to pick up

23/6/2022

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Pocket Money & Other Stories
by Vivienne Lingard


The 21 stories in this collection might have been written or selected to present a balance, they being neatly divided in terms of first and third person narration, and with males and females as central figures – their ages spanning the life range though with a preference for youngish adults.
    The characters are New Zealanders but the settings of the stories are also fairly even divided between this country and overseas locations. In New Zealand people live in or visit Dunedin, Wellington, Napier, Nelson-Motueka, Manawatu or pop up on the Heaphy track.  Elsewhere we meet them in London, Delhi, Prague, Rome, New York.
    Their voices vary, particularly and appropriately in those with first-person narration.
    In one respect, however, they depart from this spread. The human subjects are Anglo, European – apart from one story, there is little mention of Aotearoa as a Pacific nation.
    Despite this, I find two I particularly enjoy are set elsewhere – a woman visits New York with her brother, “forty-two, but he could have been nine”; and in the very short How To Make A Bear, a woman talks to a pair of children in a train on the Piccadilly line. The best of human nature is reflected in these two tales.
    Overall, they tend towards the vignette or slice-of-life style short story. Art is a recurrent and well-handled theme, a reflection no doubt of the author’s background as an artist. In broader subject matter, though there are such situations as broken marriages and family problems, they largely avoid the darker areas of human society. 
    Why, then, the dark and depressing cover, I wonder? In one tale, 
Ways of Riding a Storm, there’s a description of a picture that makes a woman shiver – “a skinny girl standing in a dark alley, teardrops spilling from wide googly eyes…it was ugly and downright depressing.” Not exactly the cover pic but close enough to accentuate the question why?
    The stories in this collection are all of an ideal length to pick up and read in a break, or in bed – none too long. The beginnings pull the reader into each, and all reward the time spent.

Review by Norma D. Plum
Title: Pocket Money & Other Stories
Author: Vivienne Lingard
Publisher: Artistry Publishing
ISBN: 9780473619336
RRP: $37.99
Available: bookshops
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Beautiful book to celebrate new holiday

9/6/2022

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Matariki Around the World
by Rangi Matamua & Miriama Kamo
with Isobel Joy Te Aho-White


From the first sight, and touch for even the feel of it is seductive, I was in love with this beautiful book, published in good time for the first celebration of Matariki as a national public holiday, 
    My admiration grew as I read through the 80 pages, the first section of which gives a simple explanation of the cluster of stars we know here as Matariki, and the stories of the legendary figures which make it up. All are given their own story, placing them within the wider scope of Maori cosmology. 
     If you know any of the Matariki songs that have become popular over the past few years, you’ll find yourself singing to yourself as you turn the pages – Tipuānuku, Tipuārangi, Waitī, Waitā…
    The accessible language of the text makes it especially suitable for children, but it should appeal to all ages, even up to grandparents. The conversational tone lends itself to reading aloud to little ones.
    Each story is accompanied by stunning supporting illustrations – note the appropriate choice of colour in each. The only reservation I have here is, even though beautiful artistically, the coloured print of some of the text against the background artwork may be difficult to read by those with poor sight or in low light levels.
    The first section, to page 37, deals with Maori lore, then it moves to corresponding stories of the same star cluster in other cultures in each inhabited continent. In the Pacific, we learn of Matariki equivalents in Cook Islands, Tahiti, Hawaii, and Australia. Asian legends are from Japan, China, and India. Further stories from Africa, Europe, Scandinavia, North and South America tell how the group is viewed in other cultures. Between them there are many similarities. 
    The book also includes a short glossary of terms used and an index for quick reference.
    Full praise must be accorded to the team – authors, Rangi Matamua and Miriama Kamo, and illustrator Isobel Joy Te Aho-White. In spite of my slight reservation mentioned above, I’d like to nominate the publishing team for a design award. This is a volume that may be produced with children in mind, but it can take its place with pride on any coffee table in the country. 

Review by Bronwyn Elsmore
Title: Matariki Around the World
Authors: Rangi Matamua & Miriama Kamo, with Isobel Joy Te Aho-White
Publisher: Scholastic NZ
ISBN: 9781775437420
RRP: $34.99
Available: bookshops
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Novel sparks memories of 1970s & ‘80s

1/6/2022

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If That’s What It Takes
by Les Allen


Les Allen’s book rollicks through the New Zealand of the 1970s and 1980s in 231 pages and some 97,000 words. In the main it is a nostalgic evocation of what many of us remember as ‘the good old days’ when a fax machine was a novelty; when hair was long; when trousers were flared; when only cissies drank stubbies or wine; when ladies brought plates to functions; when evenings before the TV ended (much earlier than at present) with ‘Goodnight Kiwi’, and when overseas experts knew much more than we did about anything that wasn’t involved with agriculture or rugby.
    The story revolves around a Northland lawyer, Jim Mansell, who appears able to solve the problems of anyone who consults him, through a mixture of tactical ‘nous’, good fortune, loyal staff and an absolutely unsustainable workload. 
    He needs to do so because the villains of the piece, who range from Mansell’s crooked law partner to a ruthless captain of industry by way of a plethora of hard-hearted bureaucrats, feckless farmers, rugby-obsessed teenagers, dodgy financiers and ethically-challenged real estate operatives have all adopted, as a motto and modus operandi, the slogan of the title — “If That’s What it Takes”. 
    Throughout, the villains are deep-dyed and black, and Mansell and his faithful legal executive, Natalie, and his ever-resourceful secretary Kelly, battle on through setback, betrayal and disaster. They are aided by the peripatetic Rory, reputedly a private investigator, who seems never to have had any training in those dark arts, and Tony, the law firm’s accountant who is an ever-present figure of doom. 
    The story develops against a background of New Zealand icons: an idyllic landscape with Land Rovers, Holden Commodores, Morris Marinas to the fore, and self-taught engineers, a ‘Dally’ who has prospered through hard work and shrewdness, several ex-rugby players, and the odd boat-owning fatcat. 
    The work isn’t without its drawbacks. Time intervals tend towards the unrealistic and/or contrived and some episodes and characters appear to offer little to the story as a whole, but generally the book presents a pre-Internet New Zealand that seems much more than forty years ago. Or am I showing my age?

Review by M J Burr
Title: If That’s What It Takes
Author: Les Allen
Publisher:  Illustra Press 
ISBN: 978-0-473-60765-4
RRP: $37.95
Available: bookshops
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A good action story

20/5/2022

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Low Flying
by John Reynolds


This is a fast-paced, exciting book, involving Matt, a flying student, Jason, his instructor and Fleur an older but very attractive woman. Jason is involved in drug smuggling, using his aviation skills, and his contacts in the aviation world, to fly drugs into New Zealand from Australia via Lord Howe Island, landing in Northland at a private airstrip. 
   Things get complicated when Zhukov, a Russian crime boss, who was forced to flee Russia, uses his henchmen to muscle in on Jason’s smuggling; he is brutal, savage, and not afraid to use kidnapping or even murder to get his way.
    The story reads well, and I could easily picture in my mind the Auckland location, and the action that takes place in it.
    Some of the action scenes stretch the reader’s imagination, and echo a James Bond movie in that regard. Add to that several unexpected twists to the plot, and the whole can certainly not be regarded as boring or slow.
    The author has obviously had an involvement with the private aviation scene, and has a knowledge of Russia and its people. It was a real co-incidence that I read the book just as the invasion of Ukraine was taking place.
    I can recommend the book to anyone who likes a good action story, with a satisfactory ending.

Review by Harold Bernard
Title: Low Flying
Author: John Reynolds
Publisher: Starblaze Publications
ISBN: 978-0-473-55150-6
RRP: $15
Available: Print & eBook via Amazon
Print:  tinyurl.com/y3azfvkn
Audiobook: audible.com or kobo.com 
Or enquiries from author at jbess@xtra.com
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Novel a memoir of an era

12/5/2022

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Unholy Business
by Nora West

 
This part-memoir, part-novel work of 57,000 words in 164 pages very neatly encapsulates a world that was dying in 1963, the year of its setting. 
    Through its superbly-produced and edited pages come echoes of a public-school world redolent in its regulations, dormitory life, dining halls and pastoral constraints, of the Fifth Form at St Dominics or even Billy Bunter’s Greyfriars. It was an age when traditional boarding schools were as much on the way out as was the society of which they were a rite of passage; an age when Mantovani had already been displaced by those products of the local grammar schools, the Rolling Stones, 
    Alice, the child of a convoluted and complex family tree, is the central character and Head Girl-elect of The Pines School in Hove, East Sussex, who began her public-school journey at the age of eight because that was the sort of thing expected of her social class. The author is adept at creating atmosphere; something cleverly underlined by her evocation of a traditional English countryside complete with traditional village, traditional ‘Home Farm’ and traditional family retainers. And yes, Quentin drives a Rolls...
    Further to this, her use of alternating present and past tenses reinforces the constraints surrounding a now seventeen-year-old Alice on the brink of womanhood yet still requiring the nurturance and safety-net provided by these constraints. This situation is beautifully represented by the illustration of young chicks cradled in supporting hands that twice form part of the front matter of the book. In itself this motif provides a well-turned double entendre as Alice’s wealthy father is so because of his poultry empire.
    Alice’s mother, Sylvia, is a well-bred, neglected and somewhat narcissistic woman who apes her pretty daughter and dresses to match. Her husband, Quentin, is double-crossing her with his new secretary and this alerts us to the fact that, in many ways, Quentin definitely has an eye to the main chance. This is underlined not only by the vaguely-drawn and understated business venture in which he becomes involved with a consortium of Italian businessmen and the Vatican, but also by the determined way in which he thrusts Alice into the proximity of a sinister and lecherous cardinal who represents the Vatican’s interests in the business venture.
    This leads the reader to wonder whether or not Quentin is prepared to prostitute his daughter to the success of the venture. Would he go that far? This reviewer vacillated between yes, demonstrably, because he is quite ready to betray Sylvia and embezzle money, and no, because Alice is “Daddy’s girl”. The reader is urged to decide for oneself...
    After her Roman holiday and what might be regarded as a near escape, Alice is quite glad to put up with irritating convention and restriction in order to return to the settled serenity and ordered calm of her boarding school.
    The plot of ‘Unholy Business’ hangs well because of what the work is: a memoir of an era that, like the ocean liner, was passing inexorably. Because of this and its focus upon a year in the life of a part-child and part-woman, the plot is necessarily somewhat slow. But all is, comfortingly, in order—the chick is safe in the hands of her supports; the villains get their lumps, truth will out and justice is seen to be done. To that extent, the worlds, morals and themes of Greyfriars, St Dominics and Rugby schools triumph again!

Review by M J Burr
Title: Unholy Business
Author: Nora West
Publisher: Kororā Press
ISBN: 9780473621179
RRP: $28
Available: bookshops
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Much to appeal to young readers

2/5/2022

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Flip Flop Bay, Elastic Island Adventures
by Karen McMillan


This is the sixth title in the Elastic Island Adventures series. I’ve read a couple of the previous five and am glad to see they are still coming.
    Four main characters, two girls two boys, aged to correspond to the target readership of 8-12, are accompanied by two animal companions – a cat and dog with extra-special talents and appeal. 
    This time they are joined by an ice-cream-making and poetry-making parrot, and several other larger-than-life characters. 
    The magical elastic island that has taken the children on other fun adventures, this time transports them from their home in Browns Bay to a place largely inhabited by blue-footed boobies, one of which is the mayor of Flip Flop Bay.
    But all is not fun on the day the companions visit, as a pirate ship sails into the harbour. They have met Captain Crook before. He is dastardly, dangerous, and a mean dufus. Once he is dealt with, things lighten up with the arrival of a crown-wearing king, a sarong-clad queen, quokkas, frivals, and lashings of ice-cream.
    So, Flip Flop Bay has all the elements likely to appeal to young readers.
    They’ll find the language clear and suited to their age group. And the formatting is appropriately informal and quirky.
    Best of all, parents don’t get a mention.

Review by Emily R
​Editor’s note: Other books in the series have been reviewed by FlaxFlower.
​See July 2018, June 2019, June 2020.
​
Title: Flip Flop Bay – Elastic Island Adventures 
Author: Karen McMillan
Publisher: Duckling Publishing 
ISBN: 9780473616151
RRP: $19.99
Available: bookshops
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Engrossing novel

25/4/2022

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Home Truths
by Mark McGinn


Having been in Christchurch on February 22nd 2019 and knowing many who have subsequently faced the frustrations of insurance settlement processes, I found this an engaging read. The Author’s dedication says it all! “…justice delayed is justice denied”. 
    Weaving the deep-seated corruption of “Home Truths” around these very real and, for some, still ongoing situations make the story seem extremely plausible and therefore more engrossing. 
    The plotline is nicely paced throughout, and Jonah Solomon’s backstory cleverly unfolds in parallel. Tensions build nicely to create a gripping conclusion to Jonah’s six-week investigation into insurance fraud, police corruption and the killing of a colleague that could almost belong to John Rebus from an Ian Rankin novel. 
     Just who in the force can he trust to help while the clock is ticking, and who wants the plug pulled on the investigation? He had made the decision to quit, the letter in his pocket, but who is it that is looking to end his career before he can deliver it?
    The characters of Eve and Griff could have been more fully drawn which would have given even more depth to Jonah’s but, all in all, this a commendable novel and, for one who enjoys the style of Rankin and others of the genre, I will be searching out some of McGinn’s earlier work for sure. 

 Review by George Hollinsworth
Title: Home Truths
Author: Mark McGinn
Publisher:  Story Grid Publishing (USA)
ISBN: 978-1-64501-070-89000
RRP: US$12 + P@P
Available: e book retailers including Story Grid Publishing (Books), Amazon. 
Paperback: Story Grid Publishing (Books), Amazon, and Book Depository
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How Poetry Works

10/4/2022

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Action & Travels: How Poetry Works
by Anna Jackson

 
Anna Jackson is obviously someone completely immersed in the world of poetry, being a published poet, as well as an academic with a DPhil from Oxford. 
    Her book Action & Travels appears quite a modest, even enigmatic, book; but nonetheless it is a piece of academic scholarship. And one has to say it is most suited to earnest undergraduate students in English literature. When I was a young student, stage 1 English turned out to be a bit bewildering, and that is how I feel about the book.
    Action & Travels seems a bit of a vague title, even though based on a quote from a fellow academic poet, Anne Carson. The context for this is provided on page 69, where a poem is described as an ‘action of the mind’, and the reader is travelling through this action, and in a process of being transformed. In this particular chapter Jackson is talking about ‘sprawling’ poems, which have a real sense of movement, in the tradition of Walt Whitman and Allen Ginsberg. But these long, perhaps rambling and repetitive poems, are not really representative of the analysis in other chapters.
    Indeed, the starting place is really in chapter 7, ‘conversations with past’, where the reader is taken back to the beginning in a very literal sense. This to the world of Ancient Greece and Rome, and the legendary female poet Sappho, and her first interpreter, the legendary male lyrical poet Catallus. Only fragments remain of the Sappho love poetry, but that didn’t stop Catallus and many more modern interpreters from adding to her slim body of work, or translating it in a modern context. These translators include the New Zealand poets Diane Harris, Janet Charman (who adds characters from a Katherine Mansfield short story), and C.K. Stead, who embellished the Catallus love triangle.
    This chapter seems to be the most scholarly and complete. In fact the lengthy Sappho/Catullus interpretation comes in between the analysis of two dream poems, the first a good dream in Richard Wilbur’s ‘The Ride’, and then a nightmare in Mark Ford’s ‘Viewless Wings’. The latter title is interpreted through an analysis of John Keats’ ‘Ode to a Nightingale’. So, as well as traversing a lot of territory, and timeframes, stylistic diversity does not deter Anna Jackson’s analysis. However, the strategy might be better described as that of the ‘jump cut’, as film students would understand it. 
    So it is all a bit baffling in the end, unless one is familiar with at least some of the poets in each chapter. I’m somewhat familiar with Allen Ginsberg and his first collection Howl. Although the title comes from his most well-known poem, Jackson selects two other poems from that collection, ‘A Supermarket in California’ and ‘America’. Ginsberg’s ode to finding Whitman, a ‘lonely old grubber’, in a Californian supermarket, entails taking a metaphorical stroll through the “lost America of love.” Incidentally, the quoted sections of both Ginsberg poems have different line breaks to the originals.
    Jackson provides some of the context to ‘beat’ poetry, if not the literature, but of course Whitman’s travels and sprawling lines were not the major inspirations. Ginsberg has referred to Whitman’s ‘adhesiveness’. But most of the inspiration for his breakthrough was in the ‘buddy’ interactions of Neal Cassady and Jack Kerouac, as they took joy rides across America. It might not be so obvious in the text, but it was all about their conversations, the rhythms of the words being like Bebop jazz. In Jackson’s version it is all about the ‘propulsion of anaphoria’, or the repetition of words in the lines.
    It seems that how poetry works, according to Jackson, is really all about form and technique. That seems to be the way that creative writing is taught anyway. At the end of the book she adds a number of writing suggestions, based on the poems highlighted in each chapter, as well as some biographical notes on each poet, and book references. However, I still think that this book is meant primarily for the students, in the expectation that there is nothing new under the sun’ in poetry.

Review by S A Boyce
Title: Action & Travels: How Poetry Works
Author: Anna Jackson
Publisher:  Auckland University Press
ISBN: 9781869409180
RRP: $35
Available: bookshops
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Pitch-perfect detective crime thriller

1/4/2022

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The Water's Dead:
A DI Nyree Bradshaw Novel

by Catherine Lea


A young Maori woman is murdered, her body found at the base of Mason’s Rock waterfall. Also, six-year-old Lily Holmes is missing, last seen in the victim’s care.
    For Detective Inspector Nyree Bradshaw, the clock is ticking. Lily is diabetic and needs to be found quickly. Nyree must find the murderer to save Lily.
    This is a pitch-perfect detective crime thriller. It reminds me in flavour of Anne Cleeves and has all the twists and strong characters you would expect from one of her novels.
    Lea’s DI Bradshaw follows the pattern of police officer with an imperfect life fighting to do the right thing. Bradshaw is up against the toxic masculinity which bedevilled the 1980’s New Zealand Police and the traces (perhaps more than just traces) which linger on. She’s also up against the beliefs and wishes of the Maori whanau surrounding the murdered girl – simmering violence, the need for revenge, for utu challenges her investigation.
    Lea is a deft hand with dialogue and everyone we meet has their history and well-defined character. My sympathies shifted, ebbed and flowed around them all. I learned one or two things about death rituals from a Maori perspective and shared the aching misery of dire poverty which dogs the population, particularly in the North. Lea managed to show without preaching and her writing is all the more effective because of that.
    Great twists in the end brought the novel to an immensely satisfying conclusion. 
    I see from the back of this book, Lea has other titles to her name and I will be looking for them. But please, Catherine – I would love more from DI Nyree Bradshaw. 

Review by T J Ramsay
Title: The Water’s Dead
Author: Catherine Lea
Publisher: Breaklight Press 
ISBN: 9780473594749
RRP: $34.95
Available: bookshops
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Splendid accomplishment

25/3/2022

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Tūnui | Comet
by Robert Sullivan


Most of us can’t easily be described as a natural phenomenon, but in this book, Robert Sullivan is most definitely a comet, sweeping time and place across the sky in a seamless history of ancestors and country.
    His opening poem, ‘Tētahi Waerea (Prayer of Protection)’ concludes:
      Yes, I speak plainly, when I hear your voice,
      bringing the unseen chains of a grandfather clock
      and a Polynesian paddle into the conversation.  
                                        ​(p. 9)
    The action begins with Māui and his brothers, continues along the Great North Road and spreads out across the whole country, bringing with it all sorts: families, wars, Tahitian ships and stones, steampunk. Time begins long ago, only labelling itself first ‘With Cook’s new things...’ when
                      We learned to see with spectacles, 
                      and used our own
                      medicines in vials ...
                      The trees 
                      got to live.                 (‘Ah’, p 20)
    And along with the poet, we learn ‘about topsails and studding sails’ and reminisce about contributing to the ‘admirals’ imperio cogito/ never-setting horizons ergo sum’ (‘i wasn’t a poet for writing placenames’, p 23). A European perspective rolls in, all set to build a Government and a House to keep it in, but – after a bit of architectural posturing – gives over to a better, foot-stomping solution:
                      I want to wrap Old Government House
                      like Christo and Jean-Claude
                      I want to wrap Old Govt House
                      in pages of the Treaty
                      I want to wrap OGH
                      in lavalavas
                      I want to wrap OGH
                      in fine feather cloaks
                      I want to wrap OGH 
                      in tartans
                      I want to wrap OGH
                      in parachute silk in balloon rubber
                      I want to wrap OGH
                      in illuminated vellum
                      I want to wrap OGH
                      in four enormous kanji blankets ...
                                             (‘Old Government House’, p 24)
    The 14-part series of poems ‘Te Whitianga a Kupe’ is set in the the 250 Tuia celebrations, waka, va’a and tall ships commemorating Cook’s 1769 expedition and calling in at Whitianga (among a dozen other stops). Like the commemoration, the poems mix old and new, here and there, rock groups and reef knots. 
    The language the poet plays with accommodates a po-faced world ‘where education is strongly linked/ to wellbeing outcomes for all’ (H.G. Wells, p 42) and a mad world where El Cid’s corpse defends Castile on his horse Babieca, who ‘stands resolute before the people/ who struggle on.’ (‘Standing Up’, p 43). 
    I’ll quote the last two poems of the series in full – taken together, they give an idea of the wonderful range of this collection, both in subject matter and in word use/play. But you’ll need to get the book itself to appreciate what a splendid accomplishment the entire collection is.
                      13. Thousand-Faced Waka
                      a myriad choral voices
                      in the singing of the mōteatea,
                      the Mahabharata, the Kumulipo,
                      the oceanic and earthly spires
                      on the thousand thousand journeys
                      roaming the jagged ribs
                      of singers swimming
                      the ocean’s billion
                      billion ashes
                      this waka weaves
                      stories of bazaars
                      and pig husbandry
                      duetted by sailors
                      who studded
                      the Araby
                      and came
                      out of Pele’s
                      mouth                          (p 47)
                      14. Cookies
                      A cup of tea
                      a picture of the Endeavour
                      replica on my phone
                      from the beach
                      on my way back
                      and the upload
                      to our Five Eyes
                      partners
                      confirming
                      I was there                      ​(p 48)


Review by Mary Cresswell
Title: Tūnui | Comet
Author: Robert Sullivan
Publisher: Auckland University Press
ISBN: 978 1 86940 969 2
RRP: $19.99
Available: bookshops
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