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A good action story

20/5/2022

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Low Flying
by John Reynolds


This is a fast-paced, exciting book, involving Matt, a flying student, Jason, his instructor and Fleur an older but very attractive woman. Jason is involved in drug smuggling, using his aviation skills, and his contacts in the aviation world, to fly drugs into New Zealand from Australia via Lord Howe Island, landing in Northland at a private airstrip. 
   Things get complicated when Zhukov, a Russian crime boss, who was forced to flee Russia, uses his henchmen to muscle in on Jason’s smuggling; he is brutal, savage, and not afraid to use kidnapping or even murder to get his way.
    The story reads well, and I could easily picture in my mind the Auckland location, and the action that takes place in it.
    Some of the action scenes stretch the reader’s imagination, and echo a James Bond movie in that regard. Add to that several unexpected twists to the plot, and the whole can certainly not be regarded as boring or slow.
    The author has obviously had an involvement with the private aviation scene, and has a knowledge of Russia and its people. It was a real co-incidence that I read the book just as the invasion of Ukraine was taking place.
    I can recommend the book to anyone who likes a good action story, with a satisfactory ending.

Review by Harold Bernard
Title: Low Flying
Author: John Reynolds
Publisher: Starblaze Publications
ISBN: 978-0-473-55150-6
RRP: $15
Available: Print & eBook via Amazon
Print:  tinyurl.com/y3azfvkn
Audiobook: audible.com or kobo.com 
Or enquiries from author at jbess@xtra.com
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Novel a memoir of an era

12/5/2022

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Unholy Business
by Nora West

 
This part-memoir, part-novel work of 57,000 words in 164 pages very neatly encapsulates a world that was dying in 1963, the year of its setting. 
    Through its superbly-produced and edited pages come echoes of a public-school world redolent in its regulations, dormitory life, dining halls and pastoral constraints, of the Fifth Form at St Dominics or even Billy Bunter’s Greyfriars. It was an age when traditional boarding schools were as much on the way out as was the society of which they were a rite of passage; an age when Mantovani had already been displaced by those products of the local grammar schools, the Rolling Stones, 
    Alice, the child of a convoluted and complex family tree, is the central character and Head Girl-elect of The Pines School in Hove, East Sussex, who began her public-school journey at the age of eight because that was the sort of thing expected of her social class. The author is adept at creating atmosphere; something cleverly underlined by her evocation of a traditional English countryside complete with traditional village, traditional ‘Home Farm’ and traditional family retainers. And yes, Quentin drives a Rolls...
    Further to this, her use of alternating present and past tenses reinforces the constraints surrounding a now seventeen-year-old Alice on the brink of womanhood yet still requiring the nurturance and safety-net provided by these constraints. This situation is beautifully represented by the illustration of young chicks cradled in supporting hands that twice form part of the front matter of the book. In itself this motif provides a well-turned double entendre as Alice’s wealthy father is so because of his poultry empire.
    Alice’s mother, Sylvia, is a well-bred, neglected and somewhat narcissistic woman who apes her pretty daughter and dresses to match. Her husband, Quentin, is double-crossing her with his new secretary and this alerts us to the fact that, in many ways, Quentin definitely has an eye to the main chance. This is underlined not only by the vaguely-drawn and understated business venture in which he becomes involved with a consortium of Italian businessmen and the Vatican, but also by the determined way in which he thrusts Alice into the proximity of a sinister and lecherous cardinal who represents the Vatican’s interests in the business venture.
    This leads the reader to wonder whether or not Quentin is prepared to prostitute his daughter to the success of the venture. Would he go that far? This reviewer vacillated between yes, demonstrably, because he is quite ready to betray Sylvia and embezzle money, and no, because Alice is “Daddy’s girl”. The reader is urged to decide for oneself...
    After her Roman holiday and what might be regarded as a near escape, Alice is quite glad to put up with irritating convention and restriction in order to return to the settled serenity and ordered calm of her boarding school.
    The plot of ‘Unholy Business’ hangs well because of what the work is: a memoir of an era that, like the ocean liner, was passing inexorably. Because of this and its focus upon a year in the life of a part-child and part-woman, the plot is necessarily somewhat slow. But all is, comfortingly, in order—the chick is safe in the hands of her supports; the villains get their lumps, truth will out and justice is seen to be done. To that extent, the worlds, morals and themes of Greyfriars, St Dominics and Rugby schools triumph again!

Review by M J Burr
Title: Unholy Business
Author: Nora West
Publisher: Kororā Press
ISBN: 9780473621179
RRP: $28
Available: bookshops
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Much to appeal to young readers

2/5/2022

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Flip Flop Bay, Elastic Island Adventures
by Karen McMillan


This is the sixth title in the Elastic Island Adventures series. I’ve read a couple of the previous five and am glad to see they are still coming.
    Four main characters, two girls two boys, aged to correspond to the target readership of 8-12, are accompanied by two animal companions – a cat and dog with extra-special talents and appeal. 
    This time they are joined by an ice-cream-making and poetry-making parrot, and several other larger-than-life characters. 
    The magical elastic island that has taken the children on other fun adventures, this time transports them from their home in Browns Bay to a place largely inhabited by blue-footed boobies, one of which is the mayor of Flip Flop Bay.
    But all is not fun on the day the companions visit, as a pirate ship sails into the harbour. They have met Captain Crook before. He is dastardly, dangerous, and a mean dufus. Once he is dealt with, things lighten up with the arrival of a crown-wearing king, a sarong-clad queen, quokkas, frivals, and lashings of ice-cream.
    So, Flip Flop Bay has all the elements likely to appeal to young readers.
    They’ll find the language clear and suited to their age group. And the formatting is appropriately informal and quirky.
    Best of all, parents don’t get a mention.

Review by Emily R
​Editor’s note: Other books in the series have been reviewed by FlaxFlower.
​See July 2018, June 2019, June 2020.
​
Title: Flip Flop Bay – Elastic Island Adventures 
Author: Karen McMillan
Publisher: Duckling Publishing 
ISBN: 9780473616151
RRP: $19.99
Available: bookshops
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Engrossing novel

25/4/2022

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Home Truths
by Mark McGinn


Having been in Christchurch on February 22nd 2019 and knowing many who have subsequently faced the frustrations of insurance settlement processes, I found this an engaging read. The Author’s dedication says it all! “…justice delayed is justice denied”. 
    Weaving the deep-seated corruption of “Home Truths” around these very real and, for some, still ongoing situations make the story seem extremely plausible and therefore more engrossing. 
    The plotline is nicely paced throughout, and Jonah Solomon’s backstory cleverly unfolds in parallel. Tensions build nicely to create a gripping conclusion to Jonah’s six-week investigation into insurance fraud, police corruption and the killing of a colleague that could almost belong to John Rebus from an Ian Rankin novel. 
     Just who in the force can he trust to help while the clock is ticking, and who wants the plug pulled on the investigation? He had made the decision to quit, the letter in his pocket, but who is it that is looking to end his career before he can deliver it?
    The characters of Eve and Griff could have been more fully drawn which would have given even more depth to Jonah’s but, all in all, this a commendable novel and, for one who enjoys the style of Rankin and others of the genre, I will be searching out some of McGinn’s earlier work for sure. 

 Review by George Hollinsworth
Title: Home Truths
Author: Mark McGinn
Publisher:  Story Grid Publishing (USA)
ISBN: 978-1-64501-070-89000
RRP: US$12 + P@P
Available: e book retailers including Story Grid Publishing (Books), Amazon. 
Paperback: Story Grid Publishing (Books), Amazon, and Book Depository
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How Poetry Works

10/4/2022

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Action & Travels: How Poetry Works
by Anna Jackson

 
Anna Jackson is obviously someone completely immersed in the world of poetry, being a published poet, as well as an academic with a DPhil from Oxford. 
    Her book Action & Travels appears quite a modest, even enigmatic, book; but nonetheless it is a piece of academic scholarship. And one has to say it is most suited to earnest undergraduate students in English literature. When I was a young student, stage 1 English turned out to be a bit bewildering, and that is how I feel about the book.
    Action & Travels seems a bit of a vague title, even though based on a quote from a fellow academic poet, Anne Carson. The context for this is provided on page 69, where a poem is described as an ‘action of the mind’, and the reader is travelling through this action, and in a process of being transformed. In this particular chapter Jackson is talking about ‘sprawling’ poems, which have a real sense of movement, in the tradition of Walt Whitman and Allen Ginsberg. But these long, perhaps rambling and repetitive poems, are not really representative of the analysis in other chapters.
    Indeed, the starting place is really in chapter 7, ‘conversations with past’, where the reader is taken back to the beginning in a very literal sense. This to the world of Ancient Greece and Rome, and the legendary female poet Sappho, and her first interpreter, the legendary male lyrical poet Catallus. Only fragments remain of the Sappho love poetry, but that didn’t stop Catallus and many more modern interpreters from adding to her slim body of work, or translating it in a modern context. These translators include the New Zealand poets Diane Harris, Janet Charman (who adds characters from a Katherine Mansfield short story), and C.K. Stead, who embellished the Catallus love triangle.
    This chapter seems to be the most scholarly and complete. In fact the lengthy Sappho/Catullus interpretation comes in between the analysis of two dream poems, the first a good dream in Richard Wilbur’s ‘The Ride’, and then a nightmare in Mark Ford’s ‘Viewless Wings’. The latter title is interpreted through an analysis of John Keats’ ‘Ode to a Nightingale’. So, as well as traversing a lot of territory, and timeframes, stylistic diversity does not deter Anna Jackson’s analysis. However, the strategy might be better described as that of the ‘jump cut’, as film students would understand it. 
    So it is all a bit baffling in the end, unless one is familiar with at least some of the poets in each chapter. I’m somewhat familiar with Allen Ginsberg and his first collection Howl. Although the title comes from his most well-known poem, Jackson selects two other poems from that collection, ‘A Supermarket in California’ and ‘America’. Ginsberg’s ode to finding Whitman, a ‘lonely old grubber’, in a Californian supermarket, entails taking a metaphorical stroll through the “lost America of love.” Incidentally, the quoted sections of both Ginsberg poems have different line breaks to the originals.
    Jackson provides some of the context to ‘beat’ poetry, if not the literature, but of course Whitman’s travels and sprawling lines were not the major inspirations. Ginsberg has referred to Whitman’s ‘adhesiveness’. But most of the inspiration for his breakthrough was in the ‘buddy’ interactions of Neal Cassady and Jack Kerouac, as they took joy rides across America. It might not be so obvious in the text, but it was all about their conversations, the rhythms of the words being like Bebop jazz. In Jackson’s version it is all about the ‘propulsion of anaphoria’, or the repetition of words in the lines.
    It seems that how poetry works, according to Jackson, is really all about form and technique. That seems to be the way that creative writing is taught anyway. At the end of the book she adds a number of writing suggestions, based on the poems highlighted in each chapter, as well as some biographical notes on each poet, and book references. However, I still think that this book is meant primarily for the students, in the expectation that there is nothing new under the sun’ in poetry.

Review by S A Boyce
Title: Action & Travels: How Poetry Works
Author: Anna Jackson
Publisher:  Auckland University Press
ISBN: 9781869409180
RRP: $35
Available: bookshops
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Pitch-perfect detective crime thriller

1/4/2022

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The Water's Dead:
A DI Nyree Bradshaw Novel

by Catherine Lea


A young Maori woman is murdered, her body found at the base of Mason’s Rock waterfall. Also, six-year-old Lily Holmes is missing, last seen in the victim’s care.
    For Detective Inspector Nyree Bradshaw, the clock is ticking. Lily is diabetic and needs to be found quickly. Nyree must find the murderer to save Lily.
    This is a pitch-perfect detective crime thriller. It reminds me in flavour of Anne Cleeves and has all the twists and strong characters you would expect from one of her novels.
    Lea’s DI Bradshaw follows the pattern of police officer with an imperfect life fighting to do the right thing. Bradshaw is up against the toxic masculinity which bedevilled the 1980’s New Zealand Police and the traces (perhaps more than just traces) which linger on. She’s also up against the beliefs and wishes of the Maori whanau surrounding the murdered girl – simmering violence, the need for revenge, for utu challenges her investigation.
    Lea is a deft hand with dialogue and everyone we meet has their history and well-defined character. My sympathies shifted, ebbed and flowed around them all. I learned one or two things about death rituals from a Maori perspective and shared the aching misery of dire poverty which dogs the population, particularly in the North. Lea managed to show without preaching and her writing is all the more effective because of that.
    Great twists in the end brought the novel to an immensely satisfying conclusion. 
    I see from the back of this book, Lea has other titles to her name and I will be looking for them. But please, Catherine – I would love more from DI Nyree Bradshaw. 

Review by T J Ramsay
Title: The Water’s Dead
Author: Catherine Lea
Publisher: Breaklight Press 
ISBN: 9780473594749
RRP: $34.95
Available: bookshops
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Splendid accomplishment

25/3/2022

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Tūnui | Comet
by Robert Sullivan


Most of us can’t easily be described as a natural phenomenon, but in this book, Robert Sullivan is most definitely a comet, sweeping time and place across the sky in a seamless history of ancestors and country.
    His opening poem, ‘Tētahi Waerea (Prayer of Protection)’ concludes:
      Yes, I speak plainly, when I hear your voice,
      bringing the unseen chains of a grandfather clock
      and a Polynesian paddle into the conversation.  
                                        ​(p. 9)
    The action begins with Māui and his brothers, continues along the Great North Road and spreads out across the whole country, bringing with it all sorts: families, wars, Tahitian ships and stones, steampunk. Time begins long ago, only labelling itself first ‘With Cook’s new things...’ when
                      We learned to see with spectacles, 
                      and used our own
                      medicines in vials ...
                      The trees 
                      got to live.                 (‘Ah’, p 20)
    And along with the poet, we learn ‘about topsails and studding sails’ and reminisce about contributing to the ‘admirals’ imperio cogito/ never-setting horizons ergo sum’ (‘i wasn’t a poet for writing placenames’, p 23). A European perspective rolls in, all set to build a Government and a House to keep it in, but – after a bit of architectural posturing – gives over to a better, foot-stomping solution:
                      I want to wrap Old Government House
                      like Christo and Jean-Claude
                      I want to wrap Old Govt House
                      in pages of the Treaty
                      I want to wrap OGH
                      in lavalavas
                      I want to wrap OGH
                      in fine feather cloaks
                      I want to wrap OGH 
                      in tartans
                      I want to wrap OGH
                      in parachute silk in balloon rubber
                      I want to wrap OGH
                      in illuminated vellum
                      I want to wrap OGH
                      in four enormous kanji blankets ...
                                             (‘Old Government House’, p 24)
    The 14-part series of poems ‘Te Whitianga a Kupe’ is set in the the 250 Tuia celebrations, waka, va’a and tall ships commemorating Cook’s 1769 expedition and calling in at Whitianga (among a dozen other stops). Like the commemoration, the poems mix old and new, here and there, rock groups and reef knots. 
    The language the poet plays with accommodates a po-faced world ‘where education is strongly linked/ to wellbeing outcomes for all’ (H.G. Wells, p 42) and a mad world where El Cid’s corpse defends Castile on his horse Babieca, who ‘stands resolute before the people/ who struggle on.’ (‘Standing Up’, p 43). 
    I’ll quote the last two poems of the series in full – taken together, they give an idea of the wonderful range of this collection, both in subject matter and in word use/play. But you’ll need to get the book itself to appreciate what a splendid accomplishment the entire collection is.
                      13. Thousand-Faced Waka
                      a myriad choral voices
                      in the singing of the mōteatea,
                      the Mahabharata, the Kumulipo,
                      the oceanic and earthly spires
                      on the thousand thousand journeys
                      roaming the jagged ribs
                      of singers swimming
                      the ocean’s billion
                      billion ashes
                      this waka weaves
                      stories of bazaars
                      and pig husbandry
                      duetted by sailors
                      who studded
                      the Araby
                      and came
                      out of Pele’s
                      mouth                          (p 47)
                      14. Cookies
                      A cup of tea
                      a picture of the Endeavour
                      replica on my phone
                      from the beach
                      on my way back
                      and the upload
                      to our Five Eyes
                      partners
                      confirming
                      I was there                      ​(p 48)


Review by Mary Cresswell
Title: Tūnui | Comet
Author: Robert Sullivan
Publisher: Auckland University Press
ISBN: 978 1 86940 969 2
RRP: $19.99
Available: bookshops
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Novel shows generational contrasts

18/3/2022

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Trials and Tribulations of a Talented Teen 
by Robin Lee-Robinson 

 
After finishing Book 2 in this series I was itching to find out what happened to Jack’s mysterious grandmother. Book 3, focuses on Rosalyn’s diaries in 1983 when she was 15-16 years old. 
    The backdrop of the story is Gisborne, 1983, and the author’s depiction of this era of New Zealand’s cultural norms and values shows a contrast to today. These differences would be an eye-opener to many teenagers, including the absence of technology.
    Teenage Rosalyn, has a distinct personality, with a self-absorbed vision and confidence. Undeterred by society’s expectations, Rosalyn, is intent on forging the life of her dreams regardless of any gender barriers or external constraints. Her complete disregard for anyone else’s point of view results in many hilarious episodes and misunderstandings.
    There’s a strong emphasis throughout this series on whanau bonds throughout the generations.
    At the back, there’s a glossary of Maori words and phrases.
    With pages dwindling towards the end of the book, I wondered if Rosalyn’s mysterious disappearance was going to be resolved satisfactorily, or if I was going to be kept in suspense. The ending was surprising, but also cleverly foreshadowed.

Review by Wendy Scott
Award-Winning Children’s Author
Title: Trials and Tribulations of a Talented Teen 
Author: Robin Lee-Robinson 
Publisher:  Red Hen Books
ISBN: 978-0-473-59447-3
RRP: $25
Available: Paperback from author website Robin Lee-Robinson Books
or robinleerobinson@gmail.com
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Multilingual poems in collection

11/3/2022

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ināianei/now
by Vaughan Rapatahana

 
This multilingual assemblage comes together very much like a position paper. The author looks at relationships, places, the histories and tragedies of this land, and emotions and ideas.  
    The poems are in Te Reo Māori (generally with English version provided) and in English, with sprinklings of Mandarin and Tagalog; the last part of the book contains an increasing number of concrete poems. In each section, the author’s voice very clearly states what he thinks now, today, in view of what is going on now, today. 
    The relationships speak of old loss, just as painful now as when it first occurred, and the poem ‘invictus redux’ (pp 15-16, quoted in full) seems to speak for the collection as a whole:
​

                this was your favourite verse.
                      something I did not know
                                  until     later.
                      far too late.
                      your life
                      revoked its rhythm          
                      rescinded its rhyme,
                      would never reach
                      crescendo.
                      we     became     fissured.
                      not masters of our fates
                      nor captains of our souls.
                      the kōrero we never had
                      the mokopuna we never shared
                      our future time together
                      a speculative fiction.
                      now only words remain.
                      a brusque poem
                      ​on bulimic paper,
                      wrenched from an aged book
                      lorn in a hick town library
                      no one remembers 
                      but me.
    The third section (and parts of the second) contains much more anger – as well as more Te Reo – and is very much in tune with the idea of ‘now’: the history and tragedies of this land stands out, reinforcing the belated moves to teach a corrected account of 19th century history to New Zealanders.
    With a multilingual poet, it’s always a temptation – though no proof is possible, I suppose – to wonder why they are pushed towards one language rather than another for a particular poem. In this section, there are more Te Reo poems than elsewhere in the book, and the outrage seems to grow in the same proportion.
    Early on (‘he parekura: Ōrākau 1864’, pp 81-84), Rapatahana quotes the New Zealand Herald’s 1864 casual description of slaughtered women and children, describing his visit to the site with the refrain
                      ​does anyone know what happened there?
                      does anyone care?
    In this poem, he includes Te Reo in direct quotes. In the next poem, ‘te korekore tonu’ (pp 85-86), the whole poem is in Te Reo. Pages later, he is insistent that speakers of both languages listen to him equally, and his format changes to two languages side by side in columns (though I’m unable to compare meanings for both). ‘so the theft continues/na reira ka haere tonu te tāhae’ points the finger in no uncertain terms:
                      so the theft continues
                      –less manifest this
                      time around–
                      but still white fingers
                      in the cake, eh
                      poking, ever poking
                      into the core
                      while licking off the 
                      icing.
    In the final section, emotions and ideas, the poet reaches into his memory for other feelings, to accompany (but not replace or erase) the anger.  The wisdom of a long life speaks (‘coloratura’, pp 130-131):
                      be kind to your younger self.
                      ​they did not know.
                      be forgiving
                      of their foolish acts. 
                      ...
                      love
                      who you once were.
                      be generous
                      to that former self,
                      in a coloratura
                      to that unversed mimic
                      no longer gazing back
                      from the mirror.
    Interestingly, this last section is very heavy on concrete poems. Perhaps this a hint that words themselves are not enough – that where they sit and what shape they take is just as important as grabbing handfuls out of the dictionary, whichever language we choose.
here to edit.

Review by Mary Cresswell
Title: ināianei/now
Author: Vaughan Rapatahana
Publisher:  Cyberwit, Allahabad, India
ISBN: 978-81-8253-774-3
RRP: NZ$27.00, US$18 +p&p
Available: from the publisher http://www.cyberwit.net
and from Amazon
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One night, one lion, one cake

4/3/2022

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Lion Guards the Cake
by Ruth Paul


You’ve seen those stone lions that stand as guardians at entrances. You may even have a pair on your gateposts. But do you know what they may get up to during the night?
    This is a story of one night, and one such lion who takes his role of guardian very seriously.

   Lion sits above the yard, 
   Hour by hour, keeping guard.
   But in the dusk he slips his post,
   quietly, like a golden ghost,
   and goes to where he’s needed most.


    The title and the cover give clues about what this defender of the household is up to on this particular night.
    The rhyme and metre of the text are bouncy and appealing with recurring lines that encourage even the littlest listeners to participate in the telling.
    As with all picture books from Scholastic New Zealand, the 32 pages are beautifully laid out and illustrated with full-colour full-page pictures that add detail to the text.
    This story of Lion’s night-time dedication to duty, written and illustrated by Ruth Paul, is bound to be a much requested bedtime favourite of many children.

Review by Emily R
Title: Lion Guards the Cake
Author: Ruth Paul
Publisher: Scholastic New Zealand
ISBN: 9781775437451
RRP: $19.99
Available: bookshops

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    send an email via this site giving details of your experience/expertise what genres interest you, and the formats you will consider – print, ebook (Kindle, Kobo etc). If possible, include a URL of one of your published reviews.
       Offer only if you take the task seriously and are certain you will deliver the review.
    ​

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