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Story and artwork make enjoyable read

24/2/2020

Coco Crab’s Lagoon
by Robyn Panther
Illustrated by: Thomas Hsieh

What an unusual premise: an overgrown and unattractive, rejected, lonely coconut crab in some far away tropical island lagoon becomes a small boy’s best friend. By association the crab, Coco, finds he soon gains other friends too. These characters are well drawn and colourful, and suit the island life well.
The boy and the giant crab devise a secret form of communication known only to them, through a series of clicking and tapping. And Todd, the boy, explains the meanings of simple words the crab has no understanding of, words we take for granted.
When the island has a carnival, instead of being fearful of such annual events, the crab is involved. Here we are taught about sharing and teamwork. There are quite a few life-lessons to be found in this story: new adventures, water safety, caring and inclusion, friends and not-friends. Loneliness and exclusion.
It’s a good read, which I found enjoyable. The story is told well, and moves along at a good steady pace. But editing and proofreading are sadly missing. The BOLDtype shouts unnecessarily. The overuse of !!!s and …..s make for disjointed reading. And if Coco the crab doesn’t understand about water paintings and life jackets, how can he appreciate the shape of a pyramid? Even with his description of the tree, I still cannot imagine what shape it is.
I am impressed with the artwork, by Thomas Hsieh. It is simple and appropriate; it doesn’t intrude or take over the book, but subtly enhances the storyline.
With some very necessary editing and proofreading, this book has the potential to win children’s hearts.

Review by Susan Tarr

Title: Coco Crab’s Lagoon
Author: Robyn Panther; Illustrations Thomas Hsieh
Publisher: Witchetty Press NZ
ISBN: 978-0-473-48404-0
RRP: $18.00
Available: McLeod’s Bookstore Rotorua, Books for Kids Hamilton, or direct from Witchetty Press NZ, 169 S H’way 30, Tikitere, RD4 Rotorua

Hospital thriller has good plot

5/2/2020

Code Me Missing –
A Hospital Thriller
by P.M.A. Hayes

This book is described as a 'Hospital Thriller'. The main characters work in a hospital clinical coding department that analyses critical statements, and assigns codes for a multitude of data for any disease, condition or circumstance that occur to hospital clients. This information may be a surprise to those who did not know that every conceivable condition in hospital has to be coded. However, this is the only department featured in this story and I was expecting more of a medical scenario and hospital drama.
The story begins when the main character, Julie, goes to work as usual on a Monday morning to find that her work- mate, protege and best friend, Keely, fails to appear for her shift, and a creepy message is left on her computer.
The characters are well described and the reader can quickly form a picture of the different personalities; and one character provoked my dislike! Which is a compliment to the author!
The plot makes for a good story with a few twists and turns, highlighting the destructive elements of jealousy and the importance of good friends.
It is a murder, mystery story, but does lack a bit of excitement and suspense to keep the reader gripped. I prefer a more intricate story that keeps the interest going, and guessed the perpetrator of the crime early into the plot.
I found the style of writing rather simplistic and would probably recommend it to readers of early teens. Or – an easy book for a poolside holiday, quickly read, uncomplicated and easy to follow. There is very little gruesome detail and no sexual content that would make it an adults-only book.

Review by Fran Hartley

Title: Code Me Missing – A Hospital Thriller
Author: P.M.A. Hayes
Publisher: PMAH Books
ISBN: 978-0-473-50211-9; Mobi E-Book Amazon ASIN B07YCWB6S6; E-pub 978-0-473-50212-6
RRP: $25.00
Available: Paperback copies from Publisher/Author email: parthwayes@xtra.co.nz;Onekawa Books and Gifts Napier; Writers Plot Readers Read Book Shop Upper Hutt

Cast of well-drawn characters

29/1/2020

Chronicles of The Scraeling: Chronicle Three: The Varanger
by MJ Burr

The history of the Byzantine Empire in the second half of the eleventh century is one of remarkable complexity, with military threats from outside, intrigues from inside, religious schism, and a succession of often incompetent rulers.
In this novel the author traces some of those events as seen through the eyes of the two major protagonists, Ranulf de Lannion (‘The Scraeling’) and his younger kinsman, Osmund Pendasson. Both are part-Breton in ancestry, but they are closely linked in other ways as well, particularly through association with Vikings and Anglo-Saxons. While these two characters are fictional, most of the other characters in the novel are historical.
The wider view (elaborated in the two earlier books in the series) takes in the Viking incursions into southern and eastern Europe, and in this book particularly, the ways in which the Varangers (Vikings) from the state of Kievan Rus (ruled by the Vikings and their descendants since 882) influenced events in Constantinople. The Varangian Guard, the personal bodyguards of the Emperor, are especially significant here.
The action in the book takes place during the reign of the young Byzantine emperor, Michael VII, who is well-meaning but is much more of a scholar than a natural ruler. The major villain of the piece is Michael’s first minister, the devious and clever eunuch Nikephorites, who schemes to put his nephew on the Imperial throne. These characters, and other historical figures such as the honourable though arrogant Alexios Comnenos, Eudokia, mother of Michael VII, and Zoe, Michael’s sister, are imaginatively and convincingly drawn.
Battles (against the Seljuk Turks and the Wallachians, amongst others) are vividly described, using both the colourful language of the soldiers and summaries in the form of the Scraeling’s ‘chronicles’. Against this background two love stories, involving Ranulf and Eudokia and Osmund and Zoe, add another and interesting dimension to the story, particularly as both women are portrayed as strong characters in their own right, with their own ambitions and secrets.
A particular feature of the plot is the way the author plays out the different intentions of the commanders and men in the field fighting to save the empire, and some of the key figures who engage in treacherous plots behind the walls of the city. In the second half of the book the focus switches dramatically from one scene of action to the other then back again. It becomes very involving indeed and the suspense is built up with great skill.
This is a very entertaining book, not least because the reader is given an insight into the kind of forces that were vastly influential in shaping the politics and culture of today’s eastern Europe and Asia Minor. It is also, along with the other two books in the series, a reminder of the remarkably widespread influence of the Scandinavians (and, the author suggests, possibly also Anglo Saxons after the Norman invasion of Britain) who ranged south and east from their homes in the north, particularly between 800 and 1100 CE.
More importantly still, it is entertaining because it has a cast of well-drawn characters and a clever plot that hustles the story along with ever-increasing tension.

Review by Tony Chapelle

Title: Chronicles of The Scraeling: Chronicle Three: The Varanger
Author: MJ Burr
Publisher: Cliowrite Ltd
ISBN: 9780473484002
RRP: Amazon paperback $US14.99; Kindle $US4.71; Direct from publisher $NZ25.00 p&p inc.
Available: Amazon print and Kindle formats; or from Cliowrite Ltd, 36 Wairau Road; Oakura; Taranaki; NZ 4314

Leisure reading

20/1/2020

Short & Sharp 2019
by Writers of Picton

Writers groups have long been popular throughout this country with members coming and going as they try out and develop their talent for writing.
With lamentably few opportunities to see their work in print, though there are now more modern equivalents, the publication of a collection of members’ works is an exercise often undertaken by such groups.
It’s the counterpart of the end-of-the-year recital for music or dance students. Not only does it reward those who have worked to increase their skill, but it’s a showcase for the group itself. On a personal level it’s something tangible to be held, kept, and shown to friends. In the longer term it endures to provide a record of artistic achievement in a local area.
Short & Sharp 2019 is a good example of such a work, being a modest 38 page collection, of selected articles, stories and poems written by members of Writers of Picton. Sixteen authors – Joyce Elwood-Smith, Rosemary Francis, Brian Henstock, Marie Higgs, Mary Hopwood, Mary Howan, Julie Kennedy, Susan Kerr, Lyn Johnstone, Ann Scott Holt, Trish Little, Gloria Mitchell, Annette Rattray, Dot Scott, Irene Thomas, Peter Thomas – have contributed the 29 items, which are each just a page or two long.
There’s fiction and non-fiction in a variety of genres – nostalgic memories, whimsy, humour, thoughtful reflection, with an emphasis on the lighter side, which is a good choice for such a publication.
As is usual in such cases, the writing varies in quality, though not a lot as all are very competent and effective – they’ve been well selected.
And the booklet shows the care that’s gone into the production – it’s nicely laid out, with clear print, well proofed, and with a few relevant photos included.
Look at the cover and you’ll get the idea that it could be just the thing to slip into your bag for leisure reading. Or posted as a gift – just the thing for an older person particularly.

Review by Bronwyn Elsmore

Title: Short & Sharp 2019
Author: Writers of Picton
Publisher: Good Hope Publishing House
ISBN: 9780994118868
RRP: $7.00 plus $3.00 post and packing within New Zealand
Available: from Peter Thomas, Good Hope Publishing House, PO Box 596, Picton 7250

A work of art itself

11/1/2020

Out There: SCAPE Public Art 1998-2018
by Warren Feeney

Though I am aware of and take note of art installed in public places I visit, as a North Islander I admit to have been underinformed as to the extent of the work of SCAPE which, over the past 20 years, has provided Ōtautahi Christchurch with a record of art events enviable in the rest of the country.
This lack has been remedied by this very welcome book that gives the history of the city’s Public Art Trust in a suitably high-quality and artistic volume.
In my defence, if asked prior to reading it to vote on the most striking artwork in a public space, it would have been hard to go past the spectacular “Chalice” [Neil Dawson, 2000] in Cathedral Square – a work I’ve admired on visits to the city. A permanent installation, it remains, fortunately, and when I look through the pages at photos of others erected in subsequent biennial years I’m sorry I didn’t get to see those too when they were on display.
Art, being so subjective to the viewer, frequently gives rise to controversy, and this history tells not only of those that made it to installation but also a few that didn’t for one reason or another.
The intention for temporary works designed for exhibitions or seasons is that they be dismantled when the event is over and the place of the installation returned to its original state. It is for this reason too that this record is valuable and appreciated, so they can have an extended life through its pages.
Some of the artworks displayed in the SCAPE seasons have been modest in size, others massive. They have been constructed from almost every imaginable resource, including human artists and performers. Some have been thought-provoking, others intended for fun.
A few were commissioned to be permanent fixtures, and looking at the pictures of others it’s a shame more have not remained. We’d all have different choices of course. However, whether permanent or temporary, the hundreds of artworks have collectively contributed a lasting artistic legacy to Canterbury.
For those of us in different parts of the country who didn’t get to see the artworks when they were on display, we now have this excellent record – 180 pages of explanation, information on artists, and colour photos of the artworks themselves.
The book is replete with details of the organization and those involved. The text acknowledges the efforts of those whose inspiration and industry have made SCAPE the success it has earned, as well as the talents of the artists involved, those who have come up with the necessary sponsorship, and the goodwill and expertise of local firms in this coming together of art and industry.
One can choose to read it for this explanation and record or concentrate on the art itself. Whichever, it is a splendid work, a work of art itself.

Review by Bronwyn Elsmore

Title:OUT THERE: SCAPE Public Art 1998 – 2018
Author: Warren Feeney
Publisher: SCAPE Public Art Trust
ISBN: 978-0-473-45708-2
RRP: $79.95
Available: bookshops; www.scapepublicart.org.nz/support-shop/pre-order

Interesting insights in who-dun-it

4/1/2020

Frozen Summer
by Ian Austin

Book 3 in the Dan Calder series – a cold case revisited.
Intriguingly,Frozen Summer begins at chapter 14. This and the seemingly contradictory words in the title and the gaunt, loosely defined figures on the cover are a promising indication that Frozen Summer is no ordinary who-dun-it.
Several years back, while working for the British police, undercover agent Dan Calder lost consciousness while on surveillance in a drug den. When he came to, he and a young female drug user were alone in the house. The teenager, Zoe Summers, had been murdered and, unable to account for how she had died, Dan decided to cover up his presence at the house. Now resident in New Zealand, Dan has returned to Britain to try to find out who killed Zoe: this means facing up to the possibility that has troubled him all this time: that he may have killed Zoe before he blacked out.
In Britain Dan quickly forms a team with other former police colleagues and their contacts in the force. Added to the mix are Dan’s partner, Tara, along with his friends’ wives and families.
Austin has drawn on his own knowledge of the British police system to assist Dan Calder in his quest and this gives the readers an interesting insight into investigative procedure in a cold case, even if Calder’s revisiting of the circumstances surrounding Zoe’s death is strictly off-the-record. The use of the Winthrop search technique is described in careful detail and I found this aspect of the investigation particularly engaging. The drug scene setting is very convincing and relevant.
Although Frozen Summer lacks the suspense, twists and red herrings of many who-dun-its, Dan’s team’s absolute dedication to uncovering how Zoe died highlights once again how much work is involved in re-examining in minute detail the many facets of a cold case.
Frozen Summer is the third book in Austin’s Dan Calder series. While occasional mention is made of previous cases that Dan has worked on, this book stands alone.
Discerning readers may be disturbed by some of the hiccoughs that more thorough proofreading would have picked up. In particular, to quote www.dictionary.com, “… it is not all right to use alright in standard English”. This and a number of other glitches detract from an otherwise very readable story and will hopefully be ironed out in future editions of Austin’s work.
Frozen Summer’s startling ending suggests there may be more Dan Calder still to come.

Review by Carolyn McKenzie

Title: Frozen Summer
Author: Ian Austin
Publisher: IA Books
ISBN: 9780473484392
RRP: $23.99
Available: https://www.ianaustin.org/books

Accessible field guide

27/12/2019

Volcanoes of Auckland: A Field Guide
by Bruce W. Hayward
Aerial photography by Alastair Jamieson

Often in chatting with on-line international friends I mention I live in a city built on a volcanic field and actually live on the boundaries of one of the many volcanoes dotted on the landscape. It is a quick and interesting factoid to engender conversation and while there are many ways of describing Auckland to an overseas acquaintance this quickly recognises and celebrates the uniqueness of the landscape.
Beyond that, what do I know about the volcanic history, the likelihood of future volcanic activity or even the location and scale of the volcanic field? It transpires not as much as I thought.
Volcanoes of Auckland is a very accessible field guide (to slip in a backpack?) and through the use of many maps, diagrams and photos gives you an easy method to appreciate or locate an interesting associated geological feature. My lunch-breaks from work has had me trotting around the Auckland Domain locating volcanic bombs, recognising tuff rings and lava flows – certainly an enriching walk.
My recommendation is to go straight to the section on your favourite or local volcano and read from there as I found the first section rather technical and heavy to read – but useful to dip into when you want/need to.
As to the illustrations and photos – quite simply, there’s an engaging and comprehensive collection of imagery with my favourites being the historical photos showing old pumphouses, paddle-steamers, previous land use or views of an uncluttered Auckland.
The structure of the book is well thought out and the illustrations add to the content giving this book "pickup and browse readability" – qualifying it for a place to sit casually on your coffee table or as a gift for someone else.
I am enjoying reading this book and look forward to pulling it out when circumstance or choice provides me with a chance to explore or reacquaint myself to other parts of my city.

Review by Si Burke

Title: Volcanoes of Auckland: A Field Guide
Author: Bruce W. Hayward
Publisher: Auckland University Press
ISBN: 9781869409012
RRP: $49.99
Available: bookshops

Vibrant imagery in compilation

19/12/2019

Words of a Kaumātua
by Haare Williams,
Witi Ihimaera (ed)

Tēna koe mō tēnei taonga Haare. Ka nui te pai tāu whakaaro pūkōrero, tāu mōhiotanga hōhonu, tāu whakaute mō te tikanga Māori.
I have always enjoyed the literary excursions of Haare Williams. I have in front of me, for example, Pacific Moana Quarterly of April 1978, in which there are two fine poems by him, namely Totara Tree with its dedication to the interconnectivity of land and life; and Taupo-Nui-a-Tia, with its depiction of co-operative joy overcoming all exigencies.
So, reading this new, rather thick (260 pages, sectioned into four interrelated compartments) compilation of the thoughts of this respected Māori elder – as expressed in both prose and poetry and as shared between two reo – makes my heart feel warm. Because the self-same themes continue to flow unabated.
Here is a humble man who is never reluctant to pointedly address the historic and continued contemporaneous plight of ngā iwi Māori katoa, but is always at the same time, often within the same piece, enunciating so assuredly the force of wairua running through all living entities. Indeed, these two apparently polar aspects are in fact all part of a wider and holistic Māori metaphysic, which is ingrained in Williams’ very being, moulded as it was by his upbringing, his tipuna, his ‘Grans.’ As Witi Ihimaera so cogently puts it on the back cover, ‘we are privileged to obtain the wisdom of a Māori elder of the old school.’ Tika tēnei kōrero.
Trampling on indigenous land rights by ignoring the precepts of Waitangi, for example, was tantamount to killing what surrounds us all: ngā manu, ngā ika, ngā kararehe, ngā ngarehe – all life, including ourselves. Inauthenticity breeds breakdown of our existential balance. Williams does concede that the situation for Māori is improving steadily, but stresses that there remains a long route ahead for everyone in this country. He notes sagely,
‘Māori have since then peacefully remonstrated against the looting of a heritage by invaders who feigned piety and righteousness over a giving people who had an intrinsic generosity of spirit and who once controlled their lands and resources. After many, many years, that’s now beginning to change – not quantum leaps forward – but there have been incremental gains in the evolution of the nation towards maturity and securing a peaceful future’ (from What is Māori Education or Mātauranga Māori? p. 199.)
He writes well. His many and varied prose pieces remain cogent and concise, as in the abovementioned example. His poetry, in both tongues and as sometimes conveyed via shape/concrete verse, is full of vibrant and visceral imagery, as well as wit and expressions of wonder at the gift of Nature, of reverence for Creation. As combined succinctly here –
Our nation was born
in the bosom of the ocean
where the sea leans
on the land
(from Ngā Waiata o Tangaroa, p. 46.)
As I noted in my introduction: this book is a treasure, a warm stream that flows prolifically; a mystic current to plunge into at any bend. Refreshing and rewarding; resilient and real.
As here -
‘Isn’t it time we pensioned off the old celebrations that came from another hemisphere to Aotearoa and celebrate instead something like Matariki which is closer and more accessible to us all?’
(from The Seven Stars of Matariki p. 241.)
Whakarongo ki te manu kōpara? (Listen to the kōpara bird.)
Indeed.

Review by Vaughan Rapatahana

Title: Words of a Kaumātua
Author: Haare Williams; Witi Ihimaera (ed)
Publisher: Auckland University Press
ISBN: 9781869409043
RRP: $49.99
Available: bookshops

Elegant writing in journey through Sounds

12/12/2019

Passion - Living, Feasting and Writing deep in the Marlborough Sounds
by Marion Day

This is a book it would be easy to fall in love with. It is beautiful, well presented and could take pride of place on anyone’s coffee table. That should be obvious to anyone who idly flips though the delightful picture-pages. The same is true of many coffee table books. But this book contains so much more.
The first thing readers will notice is the elegance of the writing. The sentences are well constructed and the original metaphors and similes used by the author result in a fresh style of writing that compels further reading.
It wouldn’t be wrong to say the book is set in the heart of the Marlborough Sounds; but I think it would be more correct to say the Marlborough Sounds are set in the heart of the author and she’s sharing her heart with her readers. She takes us on a journey into her life. Arriving as a bewildered, misplaced city-girl she becomes enveloped in the natural environment of the Sounds and eventually it becomes part of her psyche.
The book takes us on several journeys. From her base in Clova Bay she exposes some of the characters and events that contributed to the mood and story of the Sounds. From there she invites us to “Roam the Land” where we visit the places where the ancestors tugged at nature’s strands and discovered the world was attached to the other end. Eventually their endeavours merged with the spirit of the Sounds. Along with this merger the author provides a bounty of rural recipes that emanate from the hills and smell of country gardens.
The Sounds are a place where forests, mountains, ocean and sky amalgamate. Out of this marriage of nature the author next invites us to explore the sea and obtain a glimpse of the lives that cling to the rocky limits of the shore and hunt within its depths. She takes us on adventures through sea fog, sparkling days and into the depths of scallop beds searching for sea food and the delights of a multitude of recipes.
From the realm of sky she shares with us the birds that visited and became part of her life. From the mountains came tales of the hunting expeditions that provided rabbits, goats, wild pork and venison for the family table, to compliment the abundance of food from her garden.
Finally, we understand what motivated the poetry and prose that spilled out of her writing shack, the pictures that mesh so beautifully with the love she shares with her family, community and the natural world of the Sounds.
Writing as someone who also lives within the Sounds I feel I can whole-heartedly recommend Marion Day’s “Passion” and her “Living, Feasting and Writing deep in the Marlborough Sounds”.

Review by Peter Thomas

Title: Passion - Living, Feasting and Writing deep in the Marlborough Sounds
Author: Marion Day
Publisher: AM Publishing New Zealand
ISBN: 978-0-473-47152-1
RRP: $65
Available: Print book: on-line stores such as Mighty Ape, Fishpond; library providers such as Wheelers, All Books etc.; bookstores; website www.marionday.nz

Splendidly presented book a timely publication

7/12/2019

Pacific: An Ocean of Wonders
by Philip J. Hatfield

The title suggests that this book will feature picturesque scenery and the colourful cultures of the peoples of the Pacific. There are elements of these things, of course, but the first surprise is that it actually comprises a rare assemblage of maps, charts, drawings, etchings, paintings and diagrams by both European and American visitors to the Pacific and (much rarer, alas) by certain indigenous people (such as Tupaia from Ra’iatea) with whom those early visitors and settlers made contact.
Many of these illustrations are from collections in the British Museum, where the author is Head of the Eccles Centre for American Studies. They are an intensely interesting reminder that the greater Pacific was and is a region of immense historical, scientific, sociological, economic and strategic significance. On this count alone the book would be a valuable addition to the library of any who have an interest in this ocean we call our own. And surely that is, or should, be all of us.
  The second welcome surprise is that the illustrations are accompanied by thought-provoking mini essays on a wide range of topics. Underlying them all is the central theme that the Pacific Ocean is and has been much less a barrier to human settlement and inter-communication than a conduit. In this sense, the author argues, it is an ocean that “was crisscrossed by voyagers and traders long before the arrival of Europeans, and that housed trading and cultural networks which have ebbed and flowed over time.”
  It is also made clear, though, that the incursions that followed from European ‘discovery’ often had devastatingly profound effects, changing the nature of those earlier relationships and introducing a wide range of deadly new factors such as disease, firearms, rampant profiteering, proselytising missionaries, settlers and international rivalries. Some Pacific Islands (such as Japan) successfully resisted such incursions, at least for a time, while others, such as Tonga, were able to cling to a measure of self-determination through the colonial period.
  The author’s commentaries carry greatest authority when dealing with the North Pacific, but the Central and South Pacific also get due attention. For example, it is satisfying to be reminded of the arbitrary nature of the division of the islands into Melanesia, Polynesia and Micronesia. Regarding the western Pacific fringes, the author points out that Islam had spread to much of this area and become well established years before Spanish and Portuguese Catholics or Dutch Protestants arrived.
  Aotearoa/New Zealand gets considerable space, including a brief account of the tragic misunderstanding in the Bay of Islands between Frenchman du Fresne and the Ngare Raumati (rather confusingly referred to here simply as Ngare), this being illustrated by Charles Meryon’s dramatic depiction of the episode, held in the Alexander Turnbull Library.
  Among many other topics given coverage are the disastrous fate of the Aborigines in Tasmania, the annexation of Hawai’i by the United States and the notion of ‘manifest destiny’, the role of the Pacific in European literature, and current environmental crises arising from climate change and pollution. Regarding this last, the author notes that the people and cultures of the Pacific endure; but warns they will continue to do so “only if those of us in the wider world change our habits to reduce the growing list of new environmental dangers that face this ocean and its peoples.” Amen to that!
  There are some minor proofing lapses, but overall this is a splendidly presented book. It is also a very timely publication, visually fascinating and thought-provoking.

Review by Tony Chapelle

Title: Pacific: An Ocean of Wonders
Author: Philip J. Hatfield
Publisher: Bateman Books
ISBN: 978-1-98-853805-1
RRP: $49.99
Available: bookshops

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