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Exquisitely careful choice of words

7/11/2022

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Picture
My American Chair
by Elizabeth Smither


She is a serene and hugely well-informed tour guide, Elizabeth Smither, as she takes us through her latest poetry collection. Poems lead from one into the other, and they present their levels of meaning to us as though this were the easiest trick in the world. (It isn’t.)
        All day in the hotel room
      in a red chair by the picture window
      I am looking at cranes.

      On the fourth floor I am level
      with the new fourth floor they are building.  (‘Cranes’, p5)
    The title opens for us a possibility of talking Japanese art, as do the first three lines, but in the second stanza, we have no choice but to focus on a modern, industrial city. The first poems in the collection all use this conceit: but cardinals are not balloting below the chimney smoke, the cigarette dog doesn’t smoke, the fire brigade doesn’t haul baggage.
    In ‘Blossoms’ (p 35) we are told:
                 This year they come in billboards, not in trees,
             flat, eye-catching squares, thick
             as embossed paper, creamy and deckled
             a blossom advertisement along an avenue.

And the ‘Port Hills, Canterbury’ (p 40), are
                 Not ‘magnificent’, far more slippery
             as they tread with giant steps through gorse
             or peer over a road they’ve made perilous ...

Nice trick, if you can do it, and Smither certainly does.
    Part II of the book reads more like narrative, reminiscences, from one person’s unique and focussed memory. ‘The man in the hammock’ (p 47) starts with
                My neighbour has strung a hammock
            between the posts of her veranda
            and in it, near midnight, a head arises.

But rather than open out into scary possibilities, pulling up other than the one action, the poem goes on with a simple description of the moonlight, the garden scene and matter-of-factly ends “Sleep well foreheads, man and moon.”
    It’s very impressive, watching a poem focus on the here and now, resisting the (perfectly legitimate) invitation to wallow in metaphor. This, taken along with the exquisitely careful choice of words, gives us the smooth pleasure of the poem as part of a “how could it be otherwise?” experience.
    The last poem in the collection is ‘A wild book’ (p 87). It illustrates how Smither is both sticking to the focus while moving images from level to level, like some sort of verbal puppet show. The first stanza:
                After a day of dreadful disorder
                you offered me a bed and a meal
                and afterward an art book.
But then it ends:
                Before I reached the end – slices of life cut through
                by each now knife-edged page – a calm
                (it might have been the page of The Scream)

                dissolved the bed and the chicken, your fine
                conversation which calmed everything, and the book
                on my lap was reverently shut again

                while outside, when darkness fell and stars
                like the numbered pages came to glow
                the peace of a wild book descends.
Lovely craft, lovely book.

Review by Mary Cresswell
Title: My American Chair
Author: Elizabeth Smither
Publisher:  Auckland University Press
ISBN: 978 1 86940 960 9
RRP: $24.99
Available: bookshops
​
Comments

Debut novel succeeds

31/10/2022

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Barefoot
by R. V. Bayley


Adelaide’s determination to shake off her grim childhood sees her making an unashamed beeline for widower John Brunner. It is the summer of 1939 in Wellington and the pair are married before war is declared. Adelaide’s desolation when John enlists and sails for Egypt is only relieved by his letters. 
    Barefoot unfolds as 2 stories: Adelaide’s loneliness, relieved and yet sharpened by John’s letters, and the kindness of strangers who draw her into their war-effort circle, is contrasted by the vivid word-pictures so skillfully drawn half a world away by John’s letters. A little disconcertingly at first, these are written in the second person rather than the first person, as if John is viewing himself from a distance as he writes. However, the letters are such a vivid account of the soldiers’ training camps in Egypt that the reader is drawn into camp life: the heat, sand and flies, the comradeship and pranks, the longing for- and the dread of action.
    John’s letters are such a descriptive account of a world that Adelaide could never have imagined that she struggles to imagine how John can be interested in the mundane events in her own life and yet, for the soldier, letters from home are a lifeline to normality.
    One day a drawing of a fishing fly flutters out of a letter from John. Like an omen, it is a link to how this moving, love-filled novel will end, months after John’s letters have stopped coming.
    Bayley’s research for Barefoot gained her access to Second World War soldiers’ letters and diaries and those heart-breaking telegrams that every woman at home dreaded. She has spun them into a debut novel which honours those men and their families, and which fully justifies the support the author received from NZ Society of Authors Inc and Creative New Zealand.

Review by Carolyn McKenzie
Title: Barefoot
Author: R.V. Bayley
Publisher:  Eden St Press
ISBN: 9780473637248
RRP: $30
Available: bookshops
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Wealth of detail in novel

15/10/2022

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There was a garden in Nuremberg: a novel
by Navina Michal Clemerson


Nuremberg, the city where huge Nazi parades were held, with 150,000 screaming supporters of Hitler, extra-large swastikas covering the specially built stands, martial music blaring from loudspeakers, seemingly endless lines of goose-stepping SS soldiers. The site of the 1936 Olympic games which were intended to demonstrate the superiority of the Aryan race.
    Nuremberg the city home to a thriving Jewish community, with businesses, schools, and synagogues all with decades of history as an integral part of German society. Doctors, lawyers, judges, scientists, all pillars supporting Germany. The community centred around the synagogue. 
     This novel tells the story of the Mannheim family of Nuremberg – Walter, a successful lawyer, last in a long line of lawyers and judges, his wife Sonia, their two children Max and Helena – as the settled, comfortable world in which they lived explodes into violent antisemitism. Forced to give up their silverware and jewellery, the synagogue seized and torn down, their very home appropriated by the Nazi state. Gradually their civil rights were taken from them, children were ignored at school, and forbidden to enter university. Most shops forbade Jews to enter them, Jews had to carry special ID cards, their passports had a red stamp proclaiming the holder to be a Jew.
    The Night of Broken Glass or Kristallnach, when many Jewish homes and businesses were destroyed and the streets littered with broken glass, shocked thousands of Jewish families into selling their homes and businesses and leaving Germany permanently.
Walter refused to go, as he felt he had a duty to stay and offer legal help to Jewish people arrested. What drove him to change his mind, and the struggles the family faced then, is the heart of the book, so I will not spoil the story by telling more. 
    I was impressed by the wealth of detail about German life between the wars, and the tenacity of the Jewish community, supporting each other during this awful time. Contrast this with the rest of the German people who were swayed by the fierce oratory and frenzied nationalism offered by Adolf Hitler. Hitler, of course, blamed all of the problems suffered by Germany on the Jews, and his propaganda actively encouraged their persecution. I wonder what effect the propaganda would have had on me, and this book makes me examine the news and social media much more closely.
    The book is written in an almost formal style which is a reflection of the age in which it was set, but it seemed to hinder the flow of a good story. Do not let this minor criticism deter anyone from reading what is an excellent book. I fully recommend it.

Review by Harold Bernard
Title: There was a garden in Nuremberg: A novel
Author: Navina Michal Clemerson
Publisher:  Amsterdam Publishers
ISBN:  9789493231542  paperback
RRP: $45
Available: NZ from independent booksellers. Also available on Amazon as paperback; hardcover ISBN 978-9493276277; ebook ASIN B0B4DX13QW
Comments

Pair of books recommended

27/9/2022

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Picture


​

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Ko Īhaka me te Manuwhiri i Puta Ohorere mai    
Nā Kirsty Wadsworth, Nā Zak Waipara ngā pikitia, Nā Pānia Papa i whakamāori 
He pukapuka tino pai ēnei, kua tuhi i roto i rua ngā reo, kotahi i roto i te reo Māori, kotahi atu i roto i te reo Ingarihi. 
     He aha te kōrero a enei pukapuka? Ko te paki o Īhaka me tana hui ki a Tariwhirimātea, me te ahua o etahi atu ngā atua – Tangaroa, Tane, Rūaumoko. Me he kapua iti kua ngaro.  
     Kei te mutunga ka whakaako ō mātou mō te tuawahine pono – te whaea o Īhaka!
     He pikitia tino kara me ngā kupu ngawari mō ngā tamariki pakeke – me nga pāhake! He rārangi kupu hoki kei roto i te pukapuka kua tuhia i roto i te reo Māori.
     He pukapuka pārekareka, he ngahau (i roto i ngā reo e rua), me he maha ngā mea hei ako mō te ao Māori.
     Ka kite ahau nā te aha ēnei pukapuka i toa ai i te ‘Storylines Joy Cowley Award’.
     Pai te tuhi, te whakaahua, te whakaatu.
     Ka tino taunaki ahau i tēnei pukapuka takirua.
Īhaka and the Unexpected Visitor
by Kirsty Wadsworth, illustrations by Zak Waipara
These are excellent books, written in two languages, one in the Māori language, the other in the English language. 
     What is the story of these books? The tale of Īhaka and his meeting with Tawhirimātanga, and the appearance of other gods – Tangaroa,Tāne, Rūaumoko. As well as a lost little cloud.
     At the end we learn about the true heroine – the mother of Īhaka!
     There are very colourful pictures with easy words for older children – and adults! There is a glossary in the book written in the Māori language also.
     An entertaining and interesting book (in two languages), and there’s lots of things to learn about the Māori world.
     I see why these books won the ‘Storylines Joy Cowley Award’.
     Well-written, illustrated, presented.
     I strongly recommend this pair of books.
Review nā Dr Vaughan Rapatahana (Te Ātiawa)
Titles: Ko Īhaka me te Manuwhiri i Putu Ohorere Mai
&         Īhaka and the Unexpected Visitor
Author: Kirsty Wadsworth; Zak Waipara illustrator
Publisher:  Scholastic
ISBN: 
9781775437574
RRP: $19.99
Available: bookshops
Comments

Wartime childhood sensitively portrayed

30/8/2022

Comments

 
Picture
Johnathan
by Richard Brooke
​with Elise Brooke


Johnathan is written from the perspective of a young boy, 4-16 years old, growing up in Yorkshire England during the 1940’s. It is based on the life of the author and published posthumously by his daughter Elise as a tribute to him. She notes that she didn’t know her father as her parents divorced when she was four years old, so the book was a revelation for her.
    Johnathan lives with his father, mother and older brother (4 or 5 years his senior), in Manchester. When WWII breaks out, his father enlists with the Navy and his mother struggles to raise the two boys on her own. Johnathan describes his confusion and lack of understanding, but soon the excitement of starting school eclipses his worries. He is close to his mother, and notices that her health starts to deteriorate. 
    His brother is sent to boarding school, Johnathan sees his father when he is on leave and notes the arrival of refugee children from London. He is, however, largely concerned, as small children are, with their own world. As the realities of war move closer to his home, trips to bomb shelters and landing of an undetonated bomb behind his aunt’s house are described with excitement.
    Then the Barton Docks are bombed and his house is destroyed. Fortunately he and his mother escape with minor injuries and receive overwhelming support from their local community and family. They move to Manchester to live with his aunt, however his mother’s poor health means that she is admitted to a hospital for a long period of time. 
    Johnathan is close to his aunt and uncle and has good friends at school. When his uncle becomes sick, his aunt arranges for him to be cared for by a Lord and Lady who support naval officers in need. He lives in relative luxury, but a couple of boyish mishaps, or perhaps rebellious acts, mean that he is sent away to “the Institute”. Johnathan struggles to adjust with the constant change and separation from his family.
    Finally, the war is over. His mother buys a cottage and they eagerly await the return of his father. Tragically, events conspire against him and Johnathan is sent back to the Institute. Johnathan again struggles to adapt and cope with School Certificate. The book ends as he contemplates a future career. 
    “Johnathan” is written in conversational style in a large font and almost double spacing, and at 170 pages is an engaging read, suitable for young adults. On the downside, grammatical, spelling, capitalisation and formatting errors on every page are a distraction. Exclamation marks are overused. An editor would have quickly spotted that a whole section is repeated at the beginning and end and provided some context such as a description of the social and geographical setting. 
    Overall, the first-person perspective, emotional upheavals, powerful family bonds, sense of loss and phases of grief are sensitively portrayed. How children are protected, perhaps unnecessarily, from reality is revealed as he discovers the cause of his mother’s mystery illness. 

Review by Bee Greenfield
Title: Johnathan 
Authors: Richard Brooke with Elise Brooke
Publisher: Elise Brooke
ISBN: 9798541054927
RRP: $28.00
Available: As paperback, and ebook. Amazon, Book depository and direct from author elisebrooke771@gmail.com
Comments

New Zealand legend revived

24/8/2022

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Picture
Pelorus Jack the Dolphin Guide
by Susan Brocker
​& Raymond McGrath

 
There’s been much written about Pelorus Jack over the 130 plus years since the first appearance of the dolphin that was to become part of New Zealand folklore for many years, spanning the turn of the centuries 1800s to 1900s.
    All grandparents and many parents will most likely be aware of the name, and this picture book, just published, will introduce it to a further generation and help preserve the legend.
    The story as it is told in prose by Susan Brocker, creatively mixes fact with lines designed to add character to the animal –
                Once, he found a spiny crayfish hiding beneath a rock. He tried to tempt it
             out by nudging it with his nose….
             One morning the dolphin felt the pulse and vibration of a huge creature
             moving
 through the sea. Excited, he dashed off to investigate.

    Such additions that anthropomorphize the subject seem acceptable in this case since Pelorus Jack was named by humans who came to attribute to him guardian status as he was believed to guide rather than merely accompany ships through the Marlborough Sounds.
    The inclusion of snippets of history, dolphin facts, and Maori lore add greatly to the story’s appeal.
    As with all Scholastic’s books, this one is attractively produced. Raymond McGrath’s illustrations are perfect, capturing the majesty of the Sounds, the sea and birdlife, and the human interaction.

Review by Emily R
Title: Pelorus Jack the Dolphin Guide
Author: Susan Brocker & Raymond McGrath
Publisher: Scholastic
ISBN: 9781775437475
RRP: $19.99
Available: bookshops
Comments

Perceptive detective work on fascinating character

10/8/2022

Comments

 
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Thief, Convict, Pirate, Wife – The Many Histories of Charlotte Badger
by Jennifer Ashton


The author of Thief, Convict, Pirate, Wife is a technical writer and editor with a degree in history.
    It's not surprising then that the back 30 pages of the book contain notes citing sources, a 13-page bibliography, acknowledgements and an index. This is a serious and well-researched work.
    The subject, Charlotte Badger, has been written about extensively, sung about, even portrayed on stage numerous times before. Convicted deportee to Australia, escaped convict, pirate – the legend has been gold-plated inspiration for novelists, balladeers, and creative writers of several genres.
    But how much of it is fact? Jennifer Ashton talks about the intersection of fiction and non-fiction in her thoughtful introduction. It is a subject she returns to in the final part where she puts the story, fact and fiction, into fuller perspective.
    Overall, this work sets out to establish the facts which it does, as much as is now possible, in six chapters.
    After covering the background of the social conditions in 18th century England and the justice system of which Charlotte Badger was a detainee for years, comes details of the 7-month long voyage to Australia. Crowding, the dark and damp of below decks, the pitching and rolling of the small ship, inadequate food, all contributed to illness and 35 deaths – a 12% mortality rate among the prisoners.
    In chapter 3 the author seeks to discover the truth of Charlotte’s life from then on – not a straightforward task because of the need to unravel fact from much fiction. The following part, which deals with Charlotte Badger’s association with Aotearoa is the result of perceptive detective work by Jennifer Ashton who has examined all available sources and pieced together details to produce the most likely scenario.
    Broad indications of the latter stages of Charlotte’s life can be made as she is traceable through official records, but a deal of supposition is still necessary in order to fill in gaps.
    Together, the chapters give a good summary of life as it was over the time in England, east coast Australia, and Aotearoa. Ten illustrations help add detail.
    For those readers who fancy the thought of a cut-throat female wielding a cutlass and wearing a skull and crossbones decorated hat, the findings may come as a disappointment regarding Charlotte herself, but there’s still plenty in this well-researched work to inspire and inform a good deal of further fiction.

Review by Bronwyn Elsmore
Title: Thief, Convict, Pirate, Wife – The Many Histories of Charlotte Badger
Author:  Jennifer Ashton
Publisher: Auckland University Press
ISBN: 9781869409579
RRP: $35
Available: bookshops
Comments

YA novel with local setting

30/7/2022

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Just Keep Going
by Donna Blaber


Since Becky arrived in New Zealand recently, she’s felt she is in a foreign country, far from the UK home she knows.
   True, her Dad is here, but his focus is on his second wife, Becky’s stepmother, and their baby. She has no friends her own age and the pandemic with its lockdown, and the added complication of the MIQ draw, increases her sense of isolation.
   She does, though, have a windsurfer and there's a great local beach where she can use it. Not only does this entertain her, but it presents challenges and leads to a mystery.
   The story is a very readable light adventure featuring, as well as the joys of windsurfing, environmental concerns, a dolphin that seems to want to communicate something, and a couple of baddies to add to the intrigue. Add to those, a mystical/magical element – not overdone, so acceptable even to sceptics.
   The language is colloquial and chosen for the intended audience of 11 to 14 years – yeah na, chur bro.
   Just Keep Going is set in Northland, in the Whangarei-Tutukaka-Ngunguru area. 
   For those who may need a little help with some terminology, probably overseas readers, there’s a short glossary at the end. The book is attractively produced.
   Though Just Keep Going fits into the ‘Just’ series of YA titles, this is a stand-alone book.

Ed note: Just Remember, another title in the series was reviewed by FlaxFlower in August 2021

Review by Emily R
Title: Just Keep Going
Author: Donna Blaber
Publisher: Lighthouse Media Group
ISBN: 978-1-927229-78-1
RRP: $25.00
Available: bookshops
Comments

Standing on the shrinking shore

14/7/2022

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​No Other Place to Stand: An Anthology of Climate Change Poetry from Aotearoa New Zealand
Editors: Jordan Hamel, Rebecca Hawkes, Erik Kennedy, Essa Ranapiri

with a foreword by Alice Te Punga Somerville and afterword by Rod Carr

We are all children of the land. Most of us have long, long forgotten the fact, and this collection is an emphatic reminder of where we came from and where our responsibilities lie.
    Appropriately, the call is led by poets of the Pacific, the people who are standing on the shrinking shore, watching the waters crawl up around their ankles; Karlo Mila says, ‘we are the canaries in the coal mines of climate change’ (p 93, ‘Poem for the Commonwealth’).
    The collection of 91 poems is a response to a call in 2020 for submissions giving experiences of our threatened world, specifically in New Zealand, when bushfires across the sea were visible here and the pandemic began to take off. It is not a how-to guide on correcting the past, nor is it for the most part an exercise in laying blame: it is a collection of experiences and impressions.
    The poems themselves have shapes that range from formal to informal: there is Brent Cantwell’s terzanelle ‘the sounds of Mallacoota’ (p 74) and Craig Santos Perez’ recycling of a Neruda sonnet (p 43). There are concrete, experimental poems from, among others, Tate Fountain (p 157, ‘Countdown’), Tru Paraha (p 134, ‘in my darkling universe’), and Frances Libau (p 199, ‘Escape the Weather’).Tara Black (p 168, ‘Just Right’) presents scenes from a graphic novel. And there’s everything in between: the collection could be used as an illustration of styles.
    The poems’ awesome variety of images speak from the vocabulary of Aotearoa, the vocabulary of islands all over the Pacific, the vocabulary of the world-weary, and the vocabulary of an iPhone world. There’s a huge variety of conditions and situations described, and many ways of describing them. Cindy Botha vividly illustrates the awfulness of it all in her image of ‘Hermit Crab in a Doll’s Head’ (p 102); Roman Parrott’s ‘Burn’ (p 138) gives words to a scary and uncompromising over-soul.
    So what single message does the book have? The word if floats through the poets’ remarks but goes all over the place from there: if we do this, if we change that, if we stop doing the other.My (personal) reading keeps coming back to a failure of faith: since we can’t erase consuming greed from the human race, retroactively or otherwise, we can at least try to honour each other, even if we do have a private grumble once we get home.
    There’s too much expressed here to pick and choose evidence from individuals; rather, I’ll just quote (in its entirety) Craig Santos Perez’ sonnet mentioned earlier, ‘Love in a Time of Climate Change’:

                  I don’t love you as if you were rare earth metals, 
                  conflict diamonds, or reserves of crude oil that cause
                  war. I love you as one loves the most vulnerable
                  species: urgently, between the habitat and its loss.
​

                  I love you as one loves the last seed saved
                  within a vault, gestating the heritage of our roots,
                  and thanks to your body, the taste that ripens
                  from its fruit still lives sweetly on my tongue.
 

                  I love you without knowing how or when this world
                  will end. I love you organically, without pesticides.
                  ​I love you like this because we’ll only survive
 

                  in the nitrogen-rich compost of our embrace,
                  so close that your emissions of carbon are mine, 
                  so close that your sea rises with my heat.

Review by Mary Cresswell
Title: No Other Place to Stand: An Anthology of Climate Change Poetry from Aotearoa New Zealand
Editors: Jordan Hamel, Rebecca Hawkes, Erik Kennedy, Essa Rana
Publisher: Auckland University Press
ISBN: 978 1 86940 955 5
RRP: $29.99
Available: bookshops
Comments

Simple tale will appeal

4/7/2022

Comments

 
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Kororā and the Sushi Shop
by Linda Jane Keegan
Jenny Cooper, illustrator


You’ll likely remember hearing and seeing in the news a while back about penguins that took a liking to the shelter provided by a Wellington sushi shop. It’s the sort of lighter item that we latch onto to help balance the usual heavier fare, and this one was picked up and reported in several overseas countries as well as here.
     Three years on, the story pops up again, in the form of a picture book, promoted as “a New Zealand story inspired by true events”.
     Over 24 pages, the basic story of a pair of little blue penguins, kororā, is told in rhyming couplets –
                      Waddling her way to the sushi shop door,
                  she found a wee gap to squeeze under the floor.
                  Kororā tucked herself in for a rest,
                  and transformed the hideaway into her nest.

       It’s a simple tale that will appeal to small children. They will learn from it too – the last page of ‘penguin particulars’ contains facts about these little seabirds.
       The illustrations are excellent, setting the scene for the events very well.

Review by Emily R
​Title: Kororā and the Sushi Shop
Author: Linda Jane Keegan; Jenny Cooper, illustrator
Publisher:  Scholastic NZ
ISBN: 9781775437185
RRP: $19.99
Available: bookshops
Comments
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